Reviews
Fibres
★★★★☆ Emotive
Fibres, the online filmed version of the 2019 Citizens and Stellar Quines co-production, offers humour, emotion and political impact.
Lament for Sheku Bayoh
★★★★★ Essential
Lament for Sheku Bayoh, the Lyceum’s online co-production with the National Theatre of Scotland and the Edinburgh International Festival, is a work of huge impact on many levels.
shrapnel
★★★☆☆ Timely
There is a timeliness and emotional truth to Shrapnel, Production Lines’s online play by CMFWood, that is enhanced by being presented live.
In Someone Else’s Shoes: Edinburgh’s Unexpected Summer
★★★★☆ Poignant:
In Someone Else’s Shoes, the Traverse’ immersive online presentation conceived and directed by Hannah Price, is a thought-provoking and wistful evocation of Edinburgh without its festivals.
Showcase 30th Anniversary Album
★★★★☆ Lockdown Highs:
Showcase has pulled off something of a miracle in this 30th Anniversary Album, in which its band and huge chorus has recorded 80 minutes of material under strict social distancing guidelines.
#TakeASeat
★★★★★ Necessary mementos:
Theatre, as we knew it, might not have made a return to the Lyceum just yet, but there is enough drama in the #TakeASeat exhibition, viewable in the foyer until October 3, to engage as performance.
Traverse Festival (2)
Shielding , Doomsdays, Matterhorn & The Watercooler:
The Traverse’s online Festival continues with three more audio-only Breakfast Plays, as well as some treats that are more visual.
Traverse Breakfast Plays: New Tracks (1)
Traverse 3:
The Traverse are replicating their Fringe Breakfast Plays with streams from their new online-only Traverse 3, and the first two offerings – Contemporary Political Ethics (Or, How to Cheat) by Jamie Cowan and Rabbit Catcher by Rebecca Martin – both have much to recommend them.
Fragments Of Home
★★★★☆ Resonant:
Mixing history and the present to great effect, Fragments of Home revisits earlier work by Annie George extremely successfully.
My Light Shines On: Ghost Light
★★★★☆ Magical:
Ghost Light provides a poignant reminder of what we are all missing in this fallow year of live performance in Edinburgh during August.
