Bedlam

Rosencrantz and Guildenstern Are Dead

Rosencrantz and Guildenstern Are Dead

★★★☆☆ Seen in preview:
Tense, Byzantine and thoroughly hilarious the EUTC’s production of Tom Stoppard’s breakthrough play Rosencrantz and Guildenstern Are Dead, at the Bedlam to Saturday, is a properly entertaining affair.

March 2, 2017 | By | Reply More
The Diary of Anne Frank

The Diary of Anne Frank

★★★★☆ All too real:
Well performed, well directed and extremely affecting, EUTC’s Diary of Anne Frank at the Bedlam is a thoroughly timely production.

February 10, 2017 | By | Reply More
Coriolanus

Coriolanus

★★★★☆ Timely:
EUTC’s production of Coriolanus at the Bedlam is a pertinent and particularly well staged production.

November 9, 2016 | By | Reply More
Frost/Nixon

Frost/Nixon

★★★☆☆ Intelligent:
Clever and ambitious, EUTC’s Frost/Nixon at the Bedlam is uneven in execution. Peter Morgan’s play – later a successful film – features a series of celebrated TV interviews between David Frost and disgraced US president Richard Nixon

October 13, 2016 | By | Reply More
Endgame

Endgame

★★☆☆☆ Undercooked:
Underpowered and oddly hesitant, EUTC’s production of Endgame has flashes of inspiration but fails to convince.

March 23, 2016 | By | Reply More
Angels in America: Millennium Approaches

Angels in America: Millennium Approaches

★★★★☆ Intense:
Emotional honesty and genuine skill make Angels in America: Millennium Approaches at the Bedlam extremely successful.

March 10, 2016 | By | Reply More
The Pillowman

The Pillowman

★★★☆☆ Ambitious:
Spirited and clever, EUTC’s production of Martin McDonagh’s The Pillowman has all the requisite cartoon violence, but in the end lacks the necessary punch.

February 3, 2016 | By | 1 Reply More
The Crucible

The Crucible

★★★☆☆ Intimate:
The passion and brutality at the heart of Arthur Miller’s The Crucible are brought out in an intense production at the Bedlam which strives just a bit too hard for authenticity.

November 12, 2015 | By | Reply More
Cagebirds

Cagebirds

★★★★☆ Unsettling introspection:
Edinburgh University Theatre Company find a birds eye view straight into the heart of captivity in Cagebirds: a quirky, thoughtful little play that positively flies by, or not as the case may be.

October 27, 2015 | By | Reply More
Who’s Afraid of Virginia Woolf?

Who’s Afraid of Virginia Woolf?

★★★☆☆ Well performed:
There is much to admire in Who’s Afraid of Virginia Woolf? at the Bedlam. Accomplished performances of challenging roles and well thought-out direction make for a successful production.

October 15, 2015 | By | 1 Reply More