King’s
Groan Ups
★★★☆☆ Flat
While there is real energy and commitment in Mischief Theatre’s Groan Ups at the King’s, it is in the service of a script that probably doesn’t deserve such efforts.
Allan Stewart’s Big Big Variety Show
★★★★☆ Comfortable
There is a reassuring feel to Allan Stewart’s Big Big Variety Show at the King’s until Saturday.
Anything Goes
★★★★★ It’s the Tops!
Everything goes extremely well in Southern Light’s take on the timeless Cole Porter musical, playing at the King’s this week until Saturday.
Dial M for Murder
★★★★☆ Engaging:
Classic British play Dial M For Murder is at the King’s all this week before going to Glasgow’s Theatre Royal next, and no one is phoning it in.
Ten Times Table
★★★☆☆ Solid:
There is a pleasing solidity to the touring production of Alan Ayckbourn’s Ten Times Table at the King’s all week, but it suffers from a shortage of inspiration.
Oor Wullie
★★★☆☆ Sparky:
Oor Wullie, the touring musical from Selladoor, Dundee Rep and DC Thomson has moments of comic brilliance. However, it never quite coheres into a wholly convincing story.
Goldilocks and the Three Bears
★★★★☆ Spectacular:
Goldilocks And The Three Bears, this year’s King’s pantomime, is an odd creation in many ways, but it retains enough of the tried and tested formulas to convince – to say nothing of good old-fashioned variety stardust.
Edinburgh Gang Show 2019
★★★★☆ Feast of dance:
The lungs and the legs of the over 100 main cast of the Edinburgh Gang Show are made to work overtime in this year’s show, at the King’s to Saturday, which is a veritable cornucopia of song and dance.
The Exorcist
★★☆☆☆ Unholy error:
If the Devil truly is in the details then the Devil is sadly absent from this curiously flat adaptation of The Exorcist, William Peter Blatty’s classic novel of demonic possession at the King’s to Saturday.
Prism
★★★★☆ Sad but true:
There is a deeply felt emotional core to Prism at the King’s. Written and directed by Terry Johnson, the play benefits from an excellent central performance by Robert Lindsay.
