Lyceum
Sophia
★★★☆☆ Revealing reminder
The conflicting demands of professional ambition and personal happiness are brought into stark focus in Sophia by Frances Poet.
Black Diamonds and the Blue Brazil
★★★☆☆ Human
The latest Sound Stage production from the Lyceum and Pitlochry Festival Theatre, Black Diamonds and the Blue Brazil, is a funny and affecting tale of love and obsession set in the decaying heartlands of Scottish industry and football.
The Mother Load
★★★★☆ Nuanced
The Mother Load by Lynda Radley, the latest in the Lyceum and Pitlochry Festival Theatre’s Sound Stage series of audio presentations, is a warmly human and cleverly constructed piece.
Hindu Times
★★★☆☆ Fierce Originality:
Hindu Times – the latest audio offering from the Lyceum and Pitlochry Festival Theatre’s Sound Stage – is a wildly original piece. Although cumbersome at times, it has a raucous energy that is frequently arresting.
Tennis Elbow
★★★★☆ Linguistic luxury
Thoroughly enjoyable on its own terms, Tennis Elbow – the latest offering from Pitlochry Festival Theatre and the Lyceum’s Soundstage – is a flawed but very funny piece.
Angela
★★★★☆ Poignantly perceptive
A touching and utterly personal piece of drama, Angela by Mark Ravenhill is a fitting first offering in the Lyceum and Pitlochry Festival Theatre’s Sound Stage project in association with Naked Productions Ltd.
Lyceum Christmas Tales IX – XII live
★★★★☆ Creative Joy
The final four stories in the Lyceum Christmas Tales, presented live from the theatre, put the seal on what has been an enterprise suffused with goodwill, invention, care and Christmas cheer.
Lyceum Christmas Tales V – VIII
★★★★☆ Fresh
The last four of the pre-recorded Lyceum Christmas Tales provide another helping of laughter, reflection and hope.
Lyceum Christmas Tales I-IV
★★★★☆ Tasty selection
With festive theatre lacking like so much in 2020, the Lyceum’s online Christmas Tales go along way towards compensating.
Lament for Sheku Bayoh
★★★★★ Essential
Lament for Sheku Bayoh, the Lyceum’s online co-production with the National Theatre of Scotland and the Edinburgh International Festival, is a work of huge impact on many levels.
