Cilla The Musical
★★★★☆ Mersey hard to beat
Edinburgh Playhouse: Tue 19 – Sat
Review by Martin Gray
Step inside the Playhouse, love, and see the triumphs and tragedies on the way to Cilla Black becoming an entertainment legend.
It’s a story you probably know, at least in broad strokes. Singing typist Priscilla White was a familiar face at the Cavern Club, where her friendship with the Beatles helped her win a contract with their manager, Brian Epstein.
From the Cavern she went on to conquer the British charts, the devoted ‘Our Bobby’ at her side, while her working class warmth helped cement her in the hearts of the public.
All of which is true. What’s less familiar are the details. The musical talents of husband Bobby Willis, for example, were never mentioned in all those magazine profiles of Cilla in the Seventies and Eighties. Likewise, just how close she and Bobby were to the tragic drama of Epstein’s demise. Such details are to the fore in this classy jukebox musical by Jeff Pope based on his 2014 TV mini-series.
We meet Cilla in the early Sixties when she’s hanging around the Cavern, dreaming of stardom. She has a voice, but her shyness makes her reluctant to have a crack at singing with the bands who play there. Finally finding the courage to step up – with an unasked for assist from new admirer Bobby – Cilla is on the road to stardom.
There are bumps along the way, the biggest of which is letting her ambition get in the way of her relationship.
emotional heart
This is more Bobby’s story than Cilla’s, he’s the emotional heart of the piece, the eye through which we see ‘the people’s diva’. So when she does, occasionally, prove to be a diva, it hurts.
In those central roles of Cilla and Bobby, Kara Lily Hayworth and Carl Au have a chemistry that electrifies in Bill Kenwright’s production.
They’re a believable couple, well-matched. Hayworth delivers such classics as Anyone Who Had a Heart, Alfie and Liverpool Lullaby with conviction, embodying the Liverpool songstress who died in 2015. Just once, during You’re My World, does Hayworth overdo it, giving it a little too much volume, but overall she’s vocally brilliant – and her accent is terrific.
Au’s Bobby, a man perhaps a little too much in love, is compelling. His mix of cockiness and gaucheness is massively likeable and his singing voice is lovely, especially on A Taste of Honey – mellifluous indeed.
Andrew Lancel has played Epstein previously on stage and that experience pays off in his tender portrayal of a good but tormented man. It’s hard not to laugh at the characters’ attitude towards his excuses for the bruises his awful choice in boyfriends left him with, but you’re not laughing at him.
suitably solid
The show also benefits from regular cameos by the Beatles – Joshua Gannon, Michael Hawkins, Alex Harford and Bill Caple look the part in their moptops, and sound superb. As Bobby’s stoic brother Kenny, Tom Christian is suitably solid, Paul Broughton and Pauline Fleming make a great double act as Cilla’s parents, and Tom Sowinski’s George Martin is an adorably posh puppy of a chap.
The ensemble is uniformly strong, while the band under musical director Scott Alder are a huge asset to the show, playing like angels while dressed in some really fab gear. The set’s great, too – a series of adaptable arches transforming into everything from the Cavern Club to the Ed Sullivan Show studio.
A nostalgia fest with a classic love story at its heart, Cilla: The Musical earned the standing ovation given it by the first night audience. Anyone who has a heart will love it.
Running time: two hours and 50 minutes (including one interval)
Edinburgh Playhouse, 18 – 22 Greenside Place, EH1 3AA.
Tuesday 19 – Saturday 23 September 2017.
Evenings: 7.30pm, Matinees Weds, Thurs, Sat: 2.30pm
Tickets and booking details: http://www.atgtickets.com/shows/cilla/edinburgh-playhouse/
Tour Website: https://www.cillathemusical.com/
Cilla The Musical on Twitter: @CillaMusical
Cilla The Musical on tour: | |||
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19 – 23 Sept | Edinburgh Playhouse |
0844 871 3014 | Book online |
26 – 30 Sept | Milton Keynes Milton Keynes Theatre |
08448 717652 | Book online |
3 – 7 Oct | Southampton The Mayflower Theatre |
02380 711811 | Book online |
10 – 14 Oct | Birmingham The New Alexandra Theatre |
0844 871 3011 | Book online |
17 – 21 Oct | Blackpool Grand Theatre |
01253 290 190 | Book online |
31 October – 4 Nov | Cardiff New Theatre |
029 2087 8889 | Book online |
7 – 11 Nov | Wimbledon New Wimbledon Theatre |
0844 871 7646 | Book online |
14 – 18 Nov | Stoke-on-Trent Regent Theatre |
0844 871 7649 | Book online |
21 – 25 Nov | Manchester Palace Theatre |
0844 871 3019 | Book online |
28 November – 2 Dec | Bradford Alhambra |
01274 432 000 | Book online |
Tour continues in 2018: | |||
16 – 20 Jan | Dartford Orchard Theatre |
01322 220000 | Book online |
23 – 27 Jan | York The Grand Opera House |
08448 472 322 | Book online |
30 Jan – 3 Feb | Glasgow King’s Theatre |
0844 871 7648 | Book online |
6 – 10 Feb | Dublin Bord Gais Energy Theatre |
0818 719 377 | Book online |
13 – 17 Feb | Oxford New Theatre |
0844 871 3020 | Book online |
20 – 24 Feb | Northampton Royal & Derngate |
01604 624 811 | Book online |
27 Feb – 3 Mar | Newcastle Theatre Royal |
08448 11 21 21 | Book online |
5 – 10 Mar | Chester Storyhouse |
0845 241 7868 | | Book online |
13 – 17 Mar | Bristol Hippodrome |
0844 871 3012 | Book online |
20 – 24 Mar | Woking New Victoria |
0844 871 7645 | Book online |
3 – 7 April | Nottingham Theatre Royal |
0115 989 5555 | Book online |