Ana Ines Jabares Pita

Cockpit

Cockpit

★★★★☆ Necessary:

There are huge and troubling resonances throughout the Lyceum’s startling Cockpit. Fascinating staging and committed performances make for a thoroughly vital production – albeit one that falls tantalisingly short of greatness.

October 11, 2017 | By | Reply More
Daphne Oram’s Wonderful World of Sound

Daphne Oram’s Wonderful World of Sound

★★★★☆ Engaging:
There is a freshness and infectious enthusiasm to Daphne Oram’s Wonderful World of Sound. This, allied to a magnetic central performance, overcomes oddities in the script and staging to create a thoroughly pleasing whole.

May 25, 2017 | By | Reply More
Charlie Sonata

Charlie Sonata

★★★☆☆ Emotionally messy:
Time, change, dependence and human frailty are explored with emotion in the world premiere of Charlie Sonata at the Lyceum.

May 3, 2017 | By | Reply More
The Driver’s Seat

The Driver’s Seat

✭✭✭✩✩ Fury and fear:
The National Theatre of Scotland’s adaptation of Muriel Spark’s The Driver’s Seat has a righteous fury, combined with a drive born out of cleverly harnessed technology and a tight ensemble.

June 19, 2015 | By | 1 Reply More