Chris Allan
The Venetian Twins
★★★★☆ Finest farce
Two years after they were meant to be bringing The Venetian Twins to Hill Street Theatre, Arkle Theatre Company’s production of Tony Cowie’s adaptation of the play finally made it to the theatre on Wednesday night. It was well worth the wait.
Catch 22
★★★★☆ Catchy:
As with so many great books, Catch-22 seems to have defied dramatic representation over the years. And while EGTG’s version at the Biscuit Factory does not necessarily kill off such an idea, is still an extremely impressive production.
The Merry Wives of Windsor/Holyrood
★★★☆☆ Shakespeare transported:
Let’s get one thing straight right away, EGTG’s show at the Royal Scots Club is not an expose of the fun and frolics of the female members of the Scottish parliament.
Women in Parliament
★★☆☆☆ Attic Crude:
Crude on several levels, amateur company Athens of the North’s project to stage Andrew Wilson’s new translation of Aristophanes’ Women In Parliament is both fascinating and infuriating.
The Lark
★★★★☆ Fiery:
There is fire in the belly of EGTG’s telling of The Lark – Jean Anouilh’s take on the story of Joan of Arc – at Bellfield in Portobello to Saturday.
Hand to God
★★★★☆ Hot puppet action:
Packed with expletives and hot puppet-on-puppet action, EGTG’s thoroughly entertaining production of Robert Askin’s Hand to God at the Assembly Roxy is not for the faint hearted.
The Bruce In Ireland
★★★☆☆ Brutal:
Bleak beyond remorse, Ben Blow’s new play about Edward Bruce’s bloody foray into Ireland, playing at the Assembly Roxy until Thursday, makes for cynical viewing.
