Douglas Maxwell
PPP: The Sheriff of Kalamaki
★★★★☆ Impressive
This week’s A Play, a Pie and a Pint from Òran Mór at the Traverse, The Sheriff of Kalamaki by Douglas Maxwell is another tale of mismatched siblings, this time played by the real-life McCole brothers.
PPP tales of coming home
Six play season of lunchtime theatre at Traverse
Tales of coming home unite the Traverse’s six lunchtime theatre productions from A Play A Pie and A Pint this Autumn, with the first production, Ship Rats, opening this week.
Orphans
★★★☆☆ Raucous
Full of comic bravado, the National Theatre of Scotland’s long-delayed musical adaptation of Orphans at the King’s is an attractive but unwieldy beast.
PPP: Man’s Best Friend
★★★★☆ Poignant
Jonathan Watson turns in a remarkable performance in Man’s Best Friend, the latest Play, Pie and a Pint from Oran Mor at the Traverse.
NTS takes on Orphans
Peter Mullan musical adaptation heads NTS’s live return
The National Theatre of Scotland is to stage a new musical adaptation of Peter Mullan’s 1997 movie Orphans as part of its return to live performance.
I Can Go Anywhere
★★☆☆☆ Uneven two-hander:
A good premise is overshadowed by a lumbering script in Douglas Maxwell’s exploration of identity and belonging, I Can Go Anywhere, at the Traverse Theatre as part of Edinburgh’s Christmas to 21 December.
Mancub and The Children
Reviews from All Edinburgh Theatre’s new writers
This August, All Edinburgh Theatre is proud to be taking on four young Edinburgh-based reviewers in a new mentoring initiative.
Summer on Stage 2015
Mancub: ✭✭✭✩✩ Complex
The Children: ✭✭✭✭✩ Stylish
Children are at the heart of both the drama and the performance of this year’s Summer on Stage double bill, but the Lyceum Youth Theatre are anything but childish in their delivery.
Yer Granny
✭✭✭✩✩ Saucy:
Hugely – if inconsistently – funny, but lacking real dramatic impact, Yer Granny at the King’s is certainly crowd-pleasing but does not seem destined to linger long in the memory.
Review – A respectable Woman Takes to Vulgarity
The relationship between language and power is woven right through Douglas Maxwell’s misleadingly simple script for a Play, a Pie and a Pint, at the Traverse theatre every lunchtime until Saturday.
