Dylan Read
Twelfth Night
★★★★☆ Kaleidoscopic:
Shifting emotions are filtered through autumnal sunlight in the Lyceum’s Twelfth Night, with as much defiant sadness on view as happy resolution.
Cockpit
★★★★☆ Necessary:
There are huge and troubling resonances throughout the Lyceum’s startling Cockpit. Fascinating staging and committed performances make for a thoroughly vital production – albeit one that falls tantalisingly short of greatness.
Ubu Roi
★★☆☆☆ Patter, physical
There is no shortage of energy in Ludens Ensemble’s take on Ubu Roi. However, that energy is dissipated in an over-indulgent production.
Daphne Oram’s Wonderful World of Sound
★★★★☆ Engaging:
There is a freshness and infectious enthusiasm to Daphne Oram’s Wonderful World of Sound. This, allied to a magnetic central performance, overcomes oddities in the script and staging to create a thoroughly pleasing whole.
Macbeth: Without Words.
★★★☆☆ Bold:
Fresh and experimental, the Ludens Ensemble’s reimagining of the Scottish play is an Expressionist fantasia of sound, projection and movement.
