#EdFringe
Rent
★★★★☆ Powerful:
Captivate Theatre bring a powerful and emotional production of 90’s musical Rent to the Fringe, 20 years after it first opened in New York.
Lucille and Cecilia
★★★☆☆ Extreme aquatics:
Gleeful physical comedy features in Lucille and Cecilia, a patchy but intriguingly promising piece from new company Bang Average Theatre at C Aquila.
Plaza Suite
★★★☆☆ Erratic comedy:
The Edinburgh Makars’ production of Neil Simon’s Plaza Suite has considerable comic appeal, even if it takes some time to materialise.
Eight
★★★★☆ Powerful monologues:
There is a confidence and spirit to Eight, at the Bedlam, that makes for highly successful theatre.
Heaven Burns
★★★☆☆ Fiery history:
Heaven Burns, Jen McGregor’s exploration of some of the murkier corners of Scottish history at the Assembly Roxy, has a dark and spooky feel. Its power is not always sustained, but it nevertheless has considerable impact.
A Joke
★★★★☆ Funny, peculiar:
There is a masterclass in comic nous to be had in A Joke, Universal Arts and Scene Change Productions’ reworking of last year’s Fringe hit by Dan Freeman.
A Good Enough Girl?
★★★★☆ More than good enough:
Scene Change Productions, Greenwich Theatre and Nutshell Theatre’s co-production A Good Enough Girl? is enjoyable, involving and deceptively important production.
Gie’s Peace
★★★☆☆ Peaceful zeal:
Gie’s Peace, Morna Burdon’s political song and spoken word performance, has an intimate feel but a core of steel.
Ganymede
★★★☆☆ Timely reworking:
Ganymede, TypeCast Productions’ reworking of Shakespeare at Paradise in Augustines, is an intriguing production that uses the spirit of the Bard to cast light on contemporary concerns.
Corydon Ovium
★★★☆☆ Not baad:
Corydon Ovium, Nightmare Productions’ comedy horror anthology downstairs at the Newsroom, is a decidedly hit-and-miss affair that makes up in gleeful energy for what it lacks in polish.
