Edinburgh Music Theatre
Fringe Fantasmic
★★★★☆ Truly Fantasmic!
Edinburgh Music Theatre Company presents a jam packed programme of Disney songs that are sure to put a smile on everyone’s face.
Anthems – Broadway Showstoppers
★★★★☆ Toe-tapping tunes:
Broadway melodies have broad appeal as one of Edinburgh’s best-known amateur groups struts its stuff.
Chess
✭✭✭✭✩ Pawn free:
Attention to theatrical detail brings out some gloriously complex and layered moments in Edinburgh Music Theatre’s production of Chess, at the Church Hill Theatre to Saturday.
Musical Chess, mate
Audition details for double dose of Chess:
Details for the Edinburgh Music Theatre’s March 2015 production of Chess the Musical at the Church Hill Theatre have been announced, with open auditions taking place next week.
Boogie Nights – Review
✭✭✭✩✩ Patchy Fun
Musically strong, Edinburgh Music Theatre’s Boogie Nights has some excellent moments but overall is a somewhat uneven proposition.
Review – Circles of Love
Edinburgh Music Theatre’s Circles of Love is an enjoyable and skilful journey through the Disney songbook at St Andrew’s and St George’s West Church.
Review – How to Succeed in Business Without Really Trying
★★☆☆☆ Cartoonish capers come awry:
Frothy, frivolous and fun, How to Succeed in Business Without Really Trying is a wryly comic look at the treadmill of big corporate enterprise in post war America.
Secretaries a go-go to Church Hill with EMT
Edinburgh Music Theatre is returning to the 60s with its new production of How to Succeed in Business Without Really Trying, which opens at the Church Hill theatre on Tuesday.
Review – Sweeney Todd
★★★☆☆ Groundbreaking Church Hill Theatre: ends Sat 31 Mar 2012 Review by Thom Dibdin Dark and barbaric in its tone, Edinburgh Music Theatre’s production of Sweeney Todd at the Church Hill Theatre until Saturday is also something of a groundbreaking venture for the company in its delivery. The production takes composer Stephen Sondheim’s use of […]
Preview for the week: 22 – 28 February, 2010
By Thom Dibdin There’s a pervasive darkness to Edinburgh’s stages this week. Not dark in the traditional theatrical sense of shut theatres, but dark in the sense of calamitous events holding their own in the background. The Lyceum’s early McDonagh, both the Traverse’s new works and even Wilde’s melodrama at the Kings all carry a […]
