Musically rigorous and staged with clarity, there is a definition to EDGAS’s Ruddygore than compensates for a certain lack of sparkle.
✭✭✭✭✩ Fun and emotion:
Rollicking and rumbustious, but with surprisingly deep reservoirs of emotion, the Bohemians’ production of 9 to 5 The Musical at the King’s is a definite hit.
★★★☆☆ Too cool:
Solidly acted but only sporadically funny, the Lyceum and the Citizens Theatre co-production of Hay Fever is entirely serviceable but all too forgettable.
✭✭✭✭✩ Cuts like mustard:
Fizzing with energy and wisecracking brio, the Citizens Theatre’s production of John Byrne’s Cuttin’ A Rug – at the King’s till Saturday – also has a careful and deep humanity.
The Curious Incident of the Dog in the Night-Time, the UK National Theatre’s celebrated, award-winning adaptation of Mark Haddon’s novel, is back at the Festival Theatre until Saturday, and remains a beautifully staged, complex piece.
★★★★☆ Intense and involving:
Combining thought-provoking intelligence and the genuinely moving, Made In India at the Traverse is a very fine production.
★★★☆☆ Lacks dirt:
There is plenty of energy and spectacle in Bruce Guthrie’s 20th anniversary production of Rent, at the Festival theatre until Saturday, but it is too careful and just too clean to fully persuade.
Lucid and engaging, the Lyceum’s Scottish-set production of The Winter’s Tale has much to recommend it, even if it does not quite convince.
★★★★☆ All too real:
Well performed, well directed and extremely affecting, EUTC’s Diary of Anne Frank at the Bedlam is a thoroughly timely production.
Accomplished musicality and some excellent dancing distinguish Edinburgh University Footlights’ Urinetown at the Church Hill. However, it is at the service of a damp satire that never truly ignites.