Made In Edinburgh
The Not So Ugly Duckling – A Play for Grownups.
★★★★☆ Transformative
The Not So Ugly Duckling – A Play for Grownups at the Scottish Storytelling Centre by Jo Clifford and Maria MacDonell, is a delightful retelling of Hans Christian Anderson from two adept storytellers.
Ondine
★★★★☆ Well judged emotion
In a glorious mix of the heartfelt and the ridiculous, Underground Theatre bring a translation of Jean Giraudoux’s Ondine to La Belle Angele for the final week of the Fringe.
Thunderstruck
★★★★★ Striking
David Colvin’s internationally award-winning play Thunderstruck returns to the Edinburgh Fringe at The Scottish Storytelling Centre for the final two weeks of the Fringe.
Home is Not the Place
★★★☆☆ Enlightening
Annie George’s powerful solo show Home is Not the Place, at Summerhall TechCube 0 on odd days of the Fringe, follows her attempts to discover her identity through her ancestors.
The 25th Annual Putnam Spelling Bee
★★★★☆ Satisfyingly goofy
In The 25th Annual Putnam Spelling Bee, at the RSE Theatre for the final two weeks of the Fringe, Happy Sad Productions attempt to make sense of this quirky musical based on that particularly American Institution – the spelling bee.
Spring Awakening
★★★☆☆ Subdued
Edinburgh Little Theatre’s production of Spring Awakening at the RSE Theatre showcases some talented performers, but lacks energy and passion.
A Bohemian Broadway
★★★☆☆ Hits the right note
The Bohemians Lyric Opera Company is back for its traditional Fringe showcase, alighting on St Andrew’s and St George’s for two nights only with A Bohemian Broadway.
SAY IF IT’S NOT OKAY
★★★★☆ Personal and universal
There is a quiet determination to Angela Jackson’s SAY IF IT’S NOT OKAY at Greenside @ Infirmary St that makes for an intensely personal and extremely worthwhile hour.
Carnegie
★★★☆☆ Informative
Carnegie, a biographical piece set in the historic building of Panmure House, provides much elucidation.
Broken Funnies
★★★☆☆ Worrying
Broken Funnies, from Martin Bearne at Greenside @ Riddles Court, is a deeply personal show whose painful message is obscured by its structure.
