Michael John McCarthy

Shows preceding the end of the fest

Shows preceding the end of the fest

Hugh’s final BookFest Round-up for 2018

Autumn always seems to time its arrival to coincide with that of the Book Festival, with the rain limiting opportunities for the simple pleasures of sitting in Charlotte Square Gardens with a book and some refreshment. However, there were plenty of opportunities for those interested in theatre to sit inside instead.

August 28, 2018 | By | Reply More
The Hour We Knew Nothing Of Each Other

The Hour We Knew Nothing Of Each Other

★★★★☆   Contains multitudes:

Dizzying in its invention and almost ludicrously ambitious in scope, The Hour we Knew Nothing Of Each Other at the Lyceum is undoubtedly uneven but always intriguing.

June 2, 2018 | By | 2 Replies More
The hour of inspiration

The hour of inspiration

First look at The Hour We Knew Nothing of Each Other
Closing out the Lyceum’s current season, Austrian playwright Peter Handke’s The Hour We Knew Nothing of Each Other has over 450 characters but no words.

June 1, 2018 | By | 1 Reply More
How to Disappear

How to Disappear

★★★☆☆ Troubling comedy:

Morna Pearson’s new play How to Disappear, which is this year’s ‘alternative’ Traverse Christmas entertainment, definitely has its heart in the right place.

December 9, 2017 | By | 1 Reply More
NTS Rocket Machine

NTS Rocket Machine

NTS on Screen launched with Rocket Post
A new initiative, the National Theatre of Scotland on Screen, is to be launched with the filming of a cinema version of its new musical production Rocket Post.

September 23, 2017 | By | Reply More
Glory on Earth

Glory on Earth

★★★☆☆ Accomplished:
Extreme care has been lavished on the Lyceum’s Glory on Earth. It has a clarity to its storytelling and performances, backed up by some excellent staging, but never engages the heart or mind as fully as it promises.

May 24, 2017 | By | 1 Reply More
A Number

A Number

★★★★☆ Human intelligence:
Philosophical questions that have puzzled us for centuries are given a contemporary yet timeless spin in A Number, presented by the Lyceum in partnership with the Edinburgh International Science Festival.

April 9, 2017 | By | 3 Replies More
Grain In The Blood

Grain In The Blood

★★★☆☆ Well performed:
Strong performances and notably high production values distinguish Grain In The Blood at the Traverse, but an initially chilling ambience is not sustained.

November 3, 2016 | By | 1 Reply More
The Weir

The Weir

★★★★☆ Quietly affecting:
Superbly judged performances and a clever, organic approach to staging make for an effectively spooky time in the Lyceum’s production of Conor McPherson’s The Weir.

January 20, 2016 | By | 1 Reply More
Light Boxes

Light Boxes

✭✭✭✭✩ Love and regret:
Light Boxes is fascinating. Grid Iron Theatre Company has woven a complex web, leaving the audience struggling to interpret what they are seeing.

August 16, 2015 | By | 2 Replies More