Summerhall
Daughterhood
★★★★☆ Poignant
Young Critics Scheme review:
Daughterhood by Charley Miles for Paines Plough and Theatr Clwyd, is a fast paced piece, full of bitterness, jealousy and love, performed in the immersive environment of the Roundabout at Summerhall.
Fish
★★★☆☆ Surprisingly dry:
Fish by Shinehouse Theatre as part of the Taiwan Season at Summerhall, is an attractive production which remains a curiosity rather than a vital piece of theatre.
Moot Moot
★★★★☆ Absurdly hilarious:
I’m good, thanks Barry, how are you? – I’m good, thanks Barry, how are you? – I’m good, thanks Barry, how are you? – I’m good, thanks Barry, how are you?
Umbrella Man
★★★★☆ Aye, amusing, man!
Duke wants to demonstrate the Earth is flat in Umbrella Man, Teuchter Company’s funny and sweet story performed by Colin Bramwell at Summerhall until the end of the Fringe.
Resurrecting Bobby Awl
★★★★☆ Accessible complexity:
Resurrecting Bobby Awl, from Avalon and BBC Arts at Summerhall, shines a light on to a forgotten corner of Edinburgh with grace and economy.
Drone
★★☆☆☆ Interesting visuals:
Directed by Rob Jones, Harry Josephine Giles stars in Drone at Summerhall. This spoken word theatre piece tells the story of a military drone’s life as it reveals the world from its perspective.
Performance opportunity
Mollycoddlers wanted for Anatomy #20:
Live art cabaret ANATOMY is shaping up for its 20th edition, to be held in June, with an open call for performances on a theme of “Mollycoddler”
Handfast
★★★★☆ Wedded bliss:
Sweet and true, Handfast by Edinburgh-based company Nutshell at Summerhall, is the wedding day you deserve.
Love Song to Lavender Menace
★★★★☆ Heart-warming and funny:
An important piece of LGBT history is explored in Eighties gay romantic comedy, Love Song to Lavender Menace, which returns to Edinburgh this Fringe.
Erewhon
★★★☆☆ Genial technology:
Promising a mixture of old and new technology and material, Erewhon at Summerhall fails to ignite fully, but remains an engaging and amiable production.
