Annie

Aug 15 2025 | By More

★★★★★     Energetic

The Edinburgh Academy (Venue 70): Fri 1 – Mon 11 Aug 2025
Review by Eilidh Sim

Captivate Theatre’s production of Annie, at The Edinburgh Academy until 12 August, fascinates with an enchanting performance of the well known and much loved musical.

The story of orphan Annie, based on the 1924 Little Orphan Annie comic strip created by Harold Gray, is set in America during the great depression. Annie is forced to live in misery at the orphanage run by Miss Hannigan. Her luck changes when she’s chosen to spend Christmas with billionaire Oliver Warbucks, in his attempt to improve his image to the general public.

Annie and the orphans. Pic: Captivate.

The many young orphans of the 39-strong cast feature in the winsome opening number Maybe, leading into the scene-setting It’s The Hard Knock Life. A showcase for their vocal prowess, it also highlights the considerable effort put into Linzi Devers’ choreography, which itself helps create the production’s energetic atmosphere.

The set remains minimal throughout the play, with wooden boxes being moved around and used as furniture; at one point even being used as a Christmas tree. Director Sally Lyall’s staging makes effective use of the playing area, with characters using the upper level of the stage during several numbers.

light-hearted and vulnerable

Stella Bateman Ross is an almost flawless Annie, both light-hearted and vulnerable. Bateman Ross is energetic throughout, successfully executing the comedic aspects of her character, pulling it back when necessary so as to not overdo her performance. Numbers such as I Think I’m Gonna Like It Here and Tomorrow allow her to show off her full range, whether belting it out, or finding a softer quality to her voice during the slower musical moments.

Christine Mills as Miss Hannigan, and orphans.

Christine Mills is captivating as villainous Miss Hannigan, finding both the hilarity and vile qualities of her character. Hannigan’s menacing plans and ideals are clear during musical numbers such as Little Girls and Easy Street, where Mills dazzles with her singing voice, belting out with energy and pizazz.

Peter Tomassi creates a believable Oliver Warbucks, providing emotion and just the right amount of seriousness, in addition to playing into the excitement and glee of the character. Similarly Claire MacLean is excellent as his secretary Grace Farrell, the more carefree of the pair.

The ensemble of adults are challenged with multiple roles, including both Hooverville residents and Warbucks’ staff. The staff have a sense of purpose and understanding; with Drake Warbucks’ butler (Brett Herriot) bringing a more aloof aspect to his character, contrasting to the more determined housekeeper Mrs Greer (Laura Cross), and cook Mrs Pugh (Kirsty Young). These characters provide believability through a sense of a well running household.

exciting

The ensemble of orphans bring an extensive amount of energy to their roles, helping create the happy and exciting atmosphere of the play. Despite being tormented by Miss Hannigan, the orphans are excitable and hopeful for a better future.

Maisie Lee is a sassy Molly, who enjoys tricking Hannigan, and is shown to be somewhat fearless. The older orphans Duffy and July, played by Shems Abdellatif and Isobel Maciver, are more serious but still cheery when need be.

The amount of energy put into this production is clear, allowing for a seemingly effortless and joyful performance.

Running time: Two hours and 15 minutes (including one interval).
Edinburgh Academy (Magnuson Theatre), 42 Henderson Row, EH3 5BL (Venue 70).
Fri 1 – Mon 11 August 2025.
Daily: 12.45pm.
Tickets and details: Book here on EdFringe.com.

Captivate Theatre Links:
Website: www.captivatetheatre.com
Facebook: @captivatetheatre
Instagram: @captivatetheatre
X: @Captivate_LTD

The adult cast. Pic: Captivate.

ENDS

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