Rebecca Mahar
Black is the Color of My Voice
★★★★☆ Stirring
Created by Apphia Campbell, Black is the Color of My Voice from Seabright Live looks back at the life of a musician, singer, and civil-rights activist on what seems to be the eve of her father’s funeral, as his death inspires her to seek clarity and redemption.
A Bohemian Life
★★★★☆ Joyful
The Bohemian Lyric Opera Company filled Edinburgh New Town Church with joy and show tunes for two days this Fringe with their concert A Bohemian Life.
The Spilling Cup
★★★★☆ Bloody lovely
“Hey, little uterus, can we work together?” Sasha’s plea to her capricious organ in Dracume Theatre’s The Spilling Cup will be a familiar sentiment to anyone who’s ever dealt with having one, and especially to those who, like her, are plagued by undiagnosed medical issues of the reproductive system.
Land Under Wave
★★★★☆ Enchanting
The Young Edinburgh Storytellers revive their acclaimed production Land Under Wave at this year’s Fringe, and it remains an otherworldly treat.
Hysterical
★★★★☆ Timely
A whirlwind time-travelling trawl through the history of five “mad” women and the history teacher who awakened their ghosts, koi collective’s Hysterical speaks truth to hysteria, and the many ways ordinary women have been maligned for stepping out of the narrowly defined boundaries society has erected for them.
Ring That Bell!
★★★★☆ Eternal
Welcome to hell! Please be seated and give your attention to the orientation presentation on your eternal stay in the centre of the earth.
Regina Vagina
★★★★★ Smash
Hosted by William “Shakey” Shakespeare Regina Vagina, a new historical comedy musical from Erstwhile Media, takes a satirical romp through the life of Elizabeth I, famously known as the Virgin Queen, and asks the all-important questions: But did she?
Trial by Jury
★★★★☆ Spritely
Cat-Like Tread presents a spritely rendition of Gilbert & Sullivan’s one-act comic opera, Trial by Jury that entirely fulfils its brief: light, fun, and more than a little ridiculous.
Well Played
★★★★☆ Snappy
Well Played from Josie Rose Productions is the kind of work you hope to see at the Fringe: new writing performed to a high standard by up and coming artists; needs work, but is getting the opportunity to grind off its rough edges in front of an enthusiastic crowd.
Antonio’s Revenge
★★☆☆☆ Unfathomable
Antonio’s Revenge is a definite oddity, not made any less strange by its staging by Edinburgh/New Zealand company Half Trick Theatre at C alto on even dates of the Fringe only.
