Anya McChristie
Romeo and Juliet
★★★☆☆ Expansive
Romeo and Juliet, from the Edinburgh University Shakespeare Company at the Pleasance, is a production on a grand scale. There is much about it that is praiseworthy, but in the end its ambition does prove a disadvantage.
Paradok Platform 2025 Presents Russian Roulette
★★★☆☆ Brimming with potential
Russian Roulette, one of three pieces of new writing from Edinburgh University’s experimental theatre company Theatre Paradok, is an interesting, dystopian look at relationships and systems of oppression it runs at the Bedlam for the final five nights of the Fringe.
Jellyfish
★★★☆☆ Intriguingly absurdist
Jellyfish, a co-production between The EUTC and Filfbag Theatre at the Bedlam to Sunday, is an intriguingly absurdist tale.
Road
★★★★☆ Emotionally resonant
The EUTC production of Road at the Bedlam is far too long and distinctly baggy in places. It is also vibrant, accomplished and compelling.
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