NTS
Rapunzel – A Hairy Tale Adventure
★★★☆☆Festive fun:
The National Theatre of Scotland’s Rapunzel is full of enjoyment and impressive performances. Although it never quite stakes its claim as a compelling work in its own right, there is plenty to satisfy those missing their annual helping of seasonal entertainment.
My Light Shines On: Ghost Light
★★★★☆ Magical:
Ghost Light provides a poignant reminder of what we are all missing in this fallow year of live performance in Edinburgh during August.
Lights Shine On for EIF
Festival announces online offering:
The Edinburgh International Festival has announced My Light Shines On, a series of online shows for August, with filmed and audio works by Scotland’
Scenes for Survival online
NTS launches crisis-response online project:
The first six pieces of the National Theatre of Scotland’s season of short digital artworks, Scenes for Survival, launches tonight, Wednesday 27 May 2020, and will remain online for two years.
Cyrano de Bergerac
★★★★★ Irresistible:
Visually and verbally intoxicating, Cyrano de Bergerac at the Lyceum is a riotous, joyous expression of the human spirit.
NTS Rocket Machine
NTS on Screen launched with Rocket Post
A new initiative, the National Theatre of Scotland on Screen, is to be launched with the filming of a cinema version of its new musical production Rocket Post.
How To Act
★★★★★ Manipulative:
Perfect pacing and authentic actors give Graham Eatough’s How To Act for the National Theatre of Scotland at Summerhall a unique shine.
Adam
★★★☆☆ Powerful:
There is no shortage of unfettered emotion in the National Theatre of Scotland’s Adam at the Traverse.
Eve
★★★★☆ Warmly fierce:
There is a deep humanity to Eve, at the Traverse, that makes it both challenging and reassuring, giving it an ultimate message of hope.
#EdFringe shows for NTS
NTS announces 2017 season
The National Theatre of Scotland has announced details of three shows which will be playing the Edinburgh Fringe in August 2017, with more involvement with the festivals to be announced later.
