Play Pie and a Pint

PPP: Eilidh, Eilidh, Eilidh
★★★★☆ Accomplished
Eilidh, Eilidh, Eilidh, by Lana Pheutan, is gently humorous and thoroughly involving. Pheutan, from Skye, has been involved in Fringe stalwarts Pretty Knickers Productions and in writing for TV Alba, and also directs what is the latest Play, Pie and a Pint from Òran Mór at the Traverse.

PPP: Kev Campbell Was He
★★★☆☆ Engaging
Kev Campbell Was He, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is an engaging and gently political production.

PPP: Dookin’ Oot
★★★★☆ Beautifully vulgar
Dookin’ Oot by Éimi Quinn, the first in the new season of Play, Pie and a Pint from Òran Mór at the Traverse, is a very funny and deceptively serious piece.

PPP: Disfunction
★★☆☆☆ Confusing
Disfunction by Kate Bowen and directed by Lu Kemp, the last in the Traverse’s current season of Òran Mór’s A Play, A Pie and A Pint, is a lively but ultimately puzzling piece.

PPP: Meetings With The Monk
★★★★☆ Imaginative possibilities
Meetings With The Monk, the latest Play, Pie and a Pint from Òran Mór and the Traverse, is a beautifully considered and tremendously well-staged play.

PPP: Variant
★★★★☆ Unsettling
There is a pleasing intransigence to Variant by Peter Arnott, the latest Play, Pie and a Pint from Oran Mor at the Traverse and Arnott’s fiftieth professionally produced play.

PPP: BABS
★★★☆☆ Magic energy
BABS, the latest Play, Pie and a Pint at the Traverse, is an endearing work; funny, frothy and deceptively serious, but occasionally pulling in too many directions at once.

PPP: Break My Windows
★★★☆☆ Vigorous
Having your heart in the right place does not always lead to compelling drama. The political messages in Break My Windows, the latest Play, Pie and a Pint from Oran Mor at the Traverse, may be muddled, but there is a lively comic capability on display.