Play Pie and a Pint
PPP: Disfunction
★★☆☆☆ Confusing
Disfunction by Kate Bowen and directed by Lu Kemp, the last in the Traverse’s current season of Òran Mór’s A Play, A Pie and A Pint, is a lively but ultimately puzzling piece.
PPP: Meetings With The Monk
★★★★☆ Imaginative possibilities
Meetings With The Monk, the latest Play, Pie and a Pint from Òran Mór and the Traverse, is a beautifully considered and tremendously well-staged play.
Listings: Mon 25 Sept – Sun 1 Oct 2023
What’s on Edinburgh’s stages this week…
It’s back to normal this week, with an almost full card of productions ranging from ghostly thrillers to autobiography and a celebratory music portmanteau to experimental dance.
PPP: Variant
★★★★☆ Unsettling
There is a pleasing intransigence to Variant by Peter Arnott, the latest Play, Pie and a Pint from Oran Mor at the Traverse and Arnott’s fiftieth professionally produced play.
PPP: BABS
★★★☆☆ Magic energy
BABS, the latest Play, Pie and a Pint at the Traverse, is an endearing work; funny, frothy and deceptively serious, but occasionally pulling in too many directions at once.
PPP: Break My Windows
★★★☆☆ Vigorous
Having your heart in the right place does not always lead to compelling drama. The political messages in Break My Windows, the latest Play, Pie and a Pint from Oran Mor at the Traverse, may be muddled, but there is a lively comic capability on display.
PPP: Sally
★★★★☆ Worryingly funny
The uneasy relationship between politics and theatre is laid comically bare in James Ley’s Sally, the first in the new run of A Play, A Pie & A Pint from Oran Mor at the Traverse.
PPP: Milkshake
★★★☆☆ Claustrophobic
The subject matter of Milkshake by Rob Drummond, the latest offering at the Traverse from Oran Mor’s Play, Pie and a Pint, is intriguingly topical. Despite being acted with real conviction, however, it never quite reaches the heights it promises.
