Royal Scots Club
The Kelpie, the Loch and the Water of Life
★★★☆☆ Radio fun
Arkle’s The Kelpie, the Loch and the Water of Life is an ideal mid-afternoon diversion for the last week of the Fringe.
Amy’s View
★★★☆☆ Slow-moving
The Makars’ production of Amy’s View, at the Royal Scots Club for the Fringe’s last week, is well staged and acted but never really ignites.
Divided
★★★★☆ Delicate
In Divided, Kate Macsween and Michael Reddington play the parents of recently transitioned Saul, in this (mostly) two-hander about family, gender, and the deeper commitments behind unconditional love.
Around the World in 80 Days
★★★☆☆ Enjoyable
Arkle’s Around the World in 80 Days, at the Royal Scots Club in Fringe Week Two, is a straightforward piece of family-friendly theatre. Inventive and committed, it has its drawbacks, but is always fun.
How I Learned to Drive
★★★★☆ Difficult
How I Learned to Drive, from Arkle at the Royal Scots Club for the Fringe’s second week, is a challenging piece staged with due care and skill.
The Ruffian on the Stair
★★☆☆☆ Falls short
For the second of their Fringe productions, EGTG revive The Ruffian on the Stair, a little-known Joe Orton play, sixty years after it debuted as a BBC radio play.
A Singular Deception
★★★☆☆ Medical mystery
Edinburgh Graduate Theatre Group mark their 70th year with A Singular Deception, a new play by company member Hilary Spiers which is the first of two shows at the Royal Scots Club for Week One of the Fringe.
