Theatre
The Importance of Being Earnest
★★★★☆ Ambitious
The EUTC’s production of The Importance of Being Earnest at the Bedlam is careful and intelligent. It may ultimately lack a little sparkle, but makes up for it in many other ways.
PPP: The Legend of Davie McKenzie
★★★☆☆ Ebullient
The Legend of Davie McKenzie, the latest A Pie and A Pint from Òran Mór at the Traverse, is an energetic and emotional piece.
Summer lunching at Roxy
PPP to stage four productions at Assembly Roxy
Assembly Roxy is to host four productions from Glasgow’s famed lunchtime theatre producers, A Play, A Pie and A Pint (PPP) in April, May and June 2026.
Medea
★★★★☆ Furious
A millennia-old depiction of revenge is given contemporary urgency in the Bard in the Botanics’ Medea. The award-winning 2022 production is at the Traverse for two performances only, as part of a tour in association with Raw Material, supported by Macrobert Arts Centre.
Rosencrantz and Guildenstern Are Dead
★★★☆☆ Clear
New grassroots company Gutter Theatre give a commendably solid showing for their inaugural production: Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, playing upstairs at Assembly Roxy to Saturday.
Inspector Morse: House of Ghosts
★★★★☆ Pleasing
The touring production of Inspector Morse: House of Ghosts at the Festival Theatre will certainly please any fans of the grumpy detective, but is also an impressive, intelligent piece of theatre in its own right.
Head. Heart. Hand.
★★★★☆ Heady, heartfelt, handsome
Head. Heart. Hand. at the Traverse until Saturday, is a fitting celebration of a local institution but should be of interest to everyone, being an excellent piece of theatre by any standards.
Christmas Carol Goes Wrong
★★★★☆ Tight
Mischief Theatre go back to basics in their adaptation for the stage of the 2017 smash hit TV show, Christmas Carol Goes Wrong at the Festival Theatre to Sunday. And their greatest creation, the Cornley Drama Society, are all the better for it.
Romeo and Juliet
★★★☆☆ Expansive
Romeo and Juliet, from the Edinburgh University Shakespeare Company at the Pleasance, is a production on a grand scale. There is much about it that is praiseworthy, but in the end its ambition does prove a disadvantage.
Auntie Empire
★★★☆☆ Splenetic
Auntie Empire, at Summerhall for two nights as part of Manipulate, is a thoroughly dark piece of satirical clowning. It is deliberately messy and unfocused, but perhaps that lack of focus is ultimately a disadvantage.
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