Agatha Christie
The Mirror Crack’d
★★★☆☆ Poised
Agatha Christie’s The Mirror Crack’d provides good old-fashioned whodunnit thrills for Threepenny Theatricals at the Church Hill until Saturday.
Go Back for Murder
★★★★☆ Convincing
Go Back for Murder, Edinburgh Theatre Arts’ first stab at Agatha Christie, is a well considered and very well performed affair. If it drags a little at times, it always convinces nonetheless.
And Then There Were None
★★☆☆☆ Patchy
Agatha Christie’s evergreen And Then There Were None is presented by Strawmoddie at the Central Hall, Tollcross, with delicacy and no little effort. Unfortunately, choices with staging – and problems seemingly inherent in the venue – make for an awkward experience.
The Hollow
★★★☆☆ Stately:
Huge care and attention has gone into the staging of Threepenny Theatricals’ version of Agatha Christie’s The Hollow. That care, however, does mean that there is a definite absence of energy in a production that never outstays its welcome but frequently threatens to.
The Mousetrap
★★★☆☆ Thrilling:
The world’s longest-running stage production returns to Edinburgh to thrill a whole new audience in this classic murder mystery tale at the Playhouse until Wednesday.
Love From a Stranger
★★★☆☆ Deep waters:
Dark undercurrents flow beneath the surface of Fiery Angel and the Royal and Derngate, Northampton’s touring production of Love From a Stranger, at the King’s until Saturday.















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