Traverse
WILF
★★★☆☆ Encouragingly filthy
There is a pleasingly unruly feel to James Ley’s new play WILF, this year’s seasonably unseasonal offering from the Traverse. Full of heart, not to mention dialogue that would have given the Lord Chamberlain palpitations, it overcomes structural difficulties to produce a successful whole.
PPP: A New Life (A Mini Musical)
★★★☆☆ Emotional
A New Life (A Mini Musical) at the Traverse every lunchtime this week is certainly not ‘mini’ in its emotional scope or its ambition.
PPP: Rose
★★★☆☆ Important
Rose, the latest in the new series of A Play, A Pie and A Pint, produced by Oran Mor in association with Aberdeen Performing Arts and the Traverse, is an involving biographical sporting tale.
PPP: Celestial Body
★★★★☆ Brooding
The return of A Play, A Pie and A Pint to the Traverse with Morna Pearson’s Celestial Body, which runs to Saturday, is certainly something to celebrate.
Still
★★★☆☆ Tender
Still at the Traverse is in many ways a tough watch, with themes of death and loss offset by excellent performances and perceptive writing.
In Someone Else’s Shoes: Edinburgh’s Unexpected Summer
★★★★☆ Poignant:
In Someone Else’s Shoes, the Traverse’ immersive online presentation conceived and directed by Hannah Price, is a thought-provoking and wistful evocation of Edinburgh without its festivals.
Traverse Festival (2)
Shielding , Doomsdays, Matterhorn & The Watercooler:
The Traverse’s online Festival continues with three more audio-only Breakfast Plays, as well as some treats that are more visual.
Traverse Breakfast Plays: New Tracks (1)
Traverse 3:
The Traverse are replicating their Fringe Breakfast Plays with streams from their new online-only Traverse 3, and the first two offerings – Contemporary Political Ethics (Or, How to Cheat) by Jamie Cowan and Rabbit Catcher by Rebecca Martin – both have much to recommend them.
Fragments Of Home
★★★★☆ Resonant:
Mixing history and the present to great effect, Fragments of Home revisits earlier work by Annie George extremely successfully.
Five from Inside
★★★☆☆ Zippy:
A series of enigmatic, eclectic discoveries, Five From Inside’s guerrilla-portraits of isolation expose some of the tensions facing theatre-makers staring down a digital ‘new normal.’
