Chris Davey
The Croft
★★★☆☆ Confusing
The Croft, from Original Theatre at the Festival Theatre, is a peculiar production – acted with the maximum of dedication and impressively staged, but rather lacking in impact.
The Shawshank Redemption
★★★☆☆ Faithful retelling
The Shawshank Redemption at the Festival Theatre provides a dependable evening of cogent storytelling.
Touching The Void
★★★★☆ Viscerally convincing:
There is a depth and grit to Touching The Void at the Lyceum that threatens to carry all before it.
Thon Man Moliere
★★★★☆ Excellent performances:
Beautifully staged and excellently acted, the Lyceum’s premiere of Liz Lochhead’s Thon Man Moliere is a charming and largely compelling production.
The Driver’s Seat
✭✭✭✩✩ Fury and fear:
The National Theatre of Scotland’s adaptation of Muriel Spark’s The Driver’s Seat has a righteous fury, combined with a drive born out of cleverly harnessed technology and a tight ensemble.
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