Rona Munro
My Light Shines On: Ghost Light
★★★★☆ Magical:
Ghost Light provides a poignant reminder of what we are all missing in this fallow year of live performance in Edinburgh during August.
Five from Inside
★★★☆☆ Zippy:
A series of enigmatic, eclectic discoveries, Five From Inside’s guerrilla-portraits of isolation expose some of the tensions facing theatre-makers staring down a digital ‘new normal.’
Five from Inside
Traverse responds to Donny’s Brain cancellation
Edinburgh’s Traverse Theatre is releasing a quintet of video monologues to coincide with what would have been the world premiere run of Rona Munro’s Donny’s Brain.
Frankenstein
★★☆☆☆ Not chilling:
Confused in its execution, Selladoor’s touring version of Frankenstein has high production values but offers little in the way of pre-Hallowe’en excitement.
Captain Corelli’s Mandolin
★★★★☆ Intense:
The heart and soul of Louis de Bernières’ 1994 novel, Captain Corelli’s Mandolin, is caught with sometimes burning intensity in this stage version, at the Edinburgh King’s until Saturday.
New Traverse Shows
Shows announced for May and June:
Work from Rona Munro, Strange Town, Annie George and Harry Josephine Giles will feature in productions in the Traverse’s May-June 2019 programme.
The Last Witch
★★★★☆ Hard as rock:
There is a visceral compulsion to Pitlochry Festival Theatre and Firebrand’s The Last Witch at the Traverse. While apparently telling of a disappeared world, its evocations of fears, suspicions and power imbalances are worryingly contemporary.
Lawson Back on Beat
Rebus actor returns after stage fright:
Charles Lawson is this evening, Thursday 11 October 2018, returning to the role of John Rebus in Rebus: Long Shadows at the Edinburgh King’s Theatre.
Lawson remains off-beat
Rebus continues with McKinven as in title role
A spokesperson for Rebus: Long Shadows, has confirmed that Charles Lawson will not be returning to the role of John Rebus for either of the performances today, Wednesday 10 October 2018.
Rebus: Long Shadows
★★★☆☆ Overshadowed:
Despite boasting the talents of two of Scotland’s greatest writers and a more than adequate cast, Rebus: Long Shadows, at the King’s until Saturday, is nowhere near as compelling as the stage debut of Edinburgh’s most celebrated fictional policeman should be.
