Gilbert and Sullivan
The Gondoliers
★★★★☆ Sugar-coated satire:
Good satire never dies but is endlessly topical, as Edinburgh Gilbert and Sullivan Society prove in their production of The Gondoliers at the King’s Theatre this week.
Venetian favourite for EdGAS
Late G&S favourite floats into town:
It’s all G&S and Gondoliers at the King’s this week as the Edinburgh Gilbert and Sullivan Society returns with an old favourite of the Savoy Opera repertoire.
G&S Pirates auditions
Open call for Eusog’s March production:
Edinburgh University Savoy Opera Group has put out a general call to open auditions for its March production of Pirates of Penzance, the most popular of Gilbert and Sullivan’s comic operas.
H.M.S. Pinafore
★★★☆☆ Shipshape:
There is a straightforward likeability to Cat Like Tread’s H.M.S. Pinafore that helps it to overcome some less confident moments.
Cat-Like Pinafore
It’s Pinafore Captain, but not as we know it
Guest post from Vinca Russell:
This fringe, in amongst a host of new musicals and interpretations of hot Broadway shows, there are just two written by Gilbert and Sullivan.
The Pirates of Penzance
✭✭✭✭✩ Plenty of pizzazz:
Fun, games and top-notch singing abound in The Pirates of Penzance at the King’s. The Edinburgh Gilbert and Sullivan Society’s production is reassuringly traditional, very strong musically, and extremely funny.
The Gondoliers
✭✭✭✩✩ Sparkly in places:
Soaraway soloists and a sprinkling of modern references add much needed sparkle to Eusog’s production of Gilbert and Sullivan’s The Gondoliers which elsewhere lacks emphasis both on stage and in the pit.
The Pirates of Penzance
✭✭✭✩✩ Cheerfully direct
Bright and breezy, newly-formed Edinburgh musical theatre company Cat Like Tread trip giddily through The Pirates of Penzance at Spotlites @ The Merchants’ Hall.
The Mikado – Review
✭✭✭✩✩ Flirting with celebration:
A hundred productions down the line, and the Edinburgh University Savoy Opera Group returns to the Mikado, the show which launched the company back in 1961 under the guidance of John Burgess.