PPP

PPP: Eilidh, Eilidh, Eilidh
★★★★☆ Accomplished
Eilidh, Eilidh, Eilidh, by Lana Pheutan, is gently humorous and thoroughly involving. Pheutan, from Skye, has been involved in Fringe stalwarts Pretty Knickers Productions and in writing for TV Alba, and also directs what is the latest Play, Pie and a Pint from Òran Mór at the Traverse.

PPP: Detained
★★★★☆ Heartfelt
Detained, the final instalment in the Traverse’s autumn season of offerings from from Òran Mór’s Play, Pie and a Pint, is a thoughtful and incisive piece of theatre.

PPP: Lost Girls / At Bus Stops
★★★☆☆ Excellent performances
Lost Girls / At Bus Stops, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a rather sweet take on a time-honoured dramatic dilemma.

PPP: The Wolves at the Door
★★★☆☆ Well-intentioned
The Wolves at the Door by Jack Hunter, the latest Play, Pie and a Pint offering from Òran Mór at the Traverse, is a piece of politically-informed theatre that has heart but is ultimately lacking in bite.

PPP: The Scaff
★★★☆☆ Energetic
The Scaff by Stephen Christopher and Graeme Smith, the last in the Traverse’s Spring season of Òran Mór’s Play, Pie and a Pint, is performed with a huge amount of dynamism.

PPP: Hotdog
★★★☆☆ Powerful
Hotdog by Ellen Ritchie, this week’s lunchtime theatre at the Traverse, is a powerful if uneven production, extremely well performed.

PPP: Pushin’ Thirty
★★★☆☆ Delicate
Traverse: Tue 19 – Sat 23 Mar 2024
Review by Hugh Simpson
Pushin’ Thirty at the Traverse is a delicate and evocative piece that does not always convince.

PPP: JACK
★★★☆☆ Promising
Jack by Liam Moffat, the first offering from A Play, A Pie and a Pint in 2024 at the Traverse, is a charmingly exuberant production.