PPP
PPP: Righ Iasgair: The Fisher King
★★★☆☆ Jarring
Righ Iasgair: The Fisher King by Kenny Boyle, the last in the current series of the Traverse’s presentations of Òran Mór’s A Play, A Pie & A Pint, is an evocative presentation of Scottish language and culture that fails to carry off a drastic shift in tone.
PPP: Maybe Tomorrow
★★★☆☆ Jolly
Maybe Tomorrow, by Brian James O’Sullivan and Hannah Jarrett-Scott from Òran Mór at the Traverse, is one of those mini-musicals that A Play, A Pie & A Pint does so well. If it is all a bit inconsequential, it is highly enjoyable.
PPP: Ivor
★★☆☆☆ Well-meaning
Ivor by Jennifer Adam, the last in the current season of Òran Mór’s Play, Pie and a Pint at the Traverse, is a lively but ultimately confused piece of theatre.
PPP: Dancing Shoes
★★★☆☆ Joyful
There is a heart-warming element of the fantastic as well as sympathetic realism in Dancing Shoes, the latest Play, Pie and a Pint from Òran Mór at the Traverse.
PPP: Wasps
★★★★☆ Emotional clarity
Wasps by Cameron Forbes, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a touching coming-of-age story.
PPP: Eilidh, Eilidh, Eilidh
★★★★☆ Accomplished
Eilidh, Eilidh, Eilidh, by Lana Pheutan, is gently humorous and thoroughly involving. Pheutan, from Skye, has been involved in Fringe stalwarts Pretty Knickers Productions and in writing for TV Alba, and also directs what is the latest Play, Pie and a Pint from Òran Mór at the Traverse.
PPP: Kev Campbell Was He
★★★☆☆ Engaging
Kev Campbell Was He, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is an engaging and gently political production.
PPP: Dookin’ Oot
★★★★☆ Beautifully vulgar
Dookin’ Oot by Éimi Quinn, the first in the new season of Play, Pie and a Pint from Òran Mór at the Traverse, is a very funny and deceptively serious piece.
PPP: Detained
★★★★☆ Heartfelt
Detained, the final instalment in the Traverse’s autumn season of offerings from from Òran Mór’s Play, Pie and a Pint, is a thoughtful and incisive piece of theatre.
















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