EUTC
She Can’t Half Talk
★★☆☆☆ Unconvincing lives:
She Can’t Half Talk, EUTC’s Fringe production at the Bedlam, is a varied set of stories that contains much of promise but fails to convince as a coherent whole.
White
★★★★☆ Layered:
Comic, brutal and certainly confrontational, the UK premiere of James Ijames’ White at St Cecelia’s Hall delivers a well-judged prod at the often unguarded underbelly of white liberal self-satisfaction.
Disruptive elements
Nathaniel Brimmer-Beller on finding and staging Ijames’ White:
This weekend the EUTC is leaving its Bedlam home for a short break at St Cecelia’s Hall where it is presenting the UK premiere of James IJames’ “truly disruptive” play, White.
Pippin
★★★☆☆ Overambitious:
There is a great deal of vocal talent on show in the EUTC’s production of Pippin at the Bedlam. However, some ill-judged staging choices conspire against the production, resulting in a definite curate’s egg.
Open Call for White
EUTC to stage UK premiere of James Ijames’ comedy:
The Edinburgh University Theatre Company has put out an open call for its UK premiere of James Ijames’ White, a comedy about race, gender and the place of art in an absurdly divided society.
Edinburgh Remembers
Theatres stand up to remember the Armistice:
As the centenary of the Armistice at the end of the First World War approaches on Sunday 11 November 2018, a number of plays and performances in Edinburgh are marking the event.
Jerusalem
★★★★☆ Furious energy:
The EUTC’s production of Jez Butterworth’s celebrated Jerusalem at the Bedlam has so much drive and chutzpah that it is an undoubted success.
Cyprus Avenue
★★★★☆ Brutal:
Brutal to a point which is almost beyond comprehension, the EUTC production of Cyprus Avenue, at the Bedlam to Saturday, fools with laughter before stunning you to silence.
Eight
★★★★☆ Powerful monologues:
There is a confidence and spirit to Eight, at the Bedlam, that makes for highly successful theatre.
Tom at the Farm
★★★★☆ Compelling:
The energy and commitment of Tom at the Farm at the Bedlam are more than enough to overcome some less convincing moments and provide a compellingly dark spectacle.
