EUTC
![A Dolls House A Dolls House](http://www.alledinburghtheatre.com/wp-content/uploads/2022/11/EUTC-Dolls-House-Thumb.jpg)
A Dolls House
★★★☆☆ Effervescent
The EUTC have taken Ibsen’s great classic, A Dolls House, and given it an immersive telling at the Bedlam all week, in a production which updates the setting to contemporary times.
![Fire Signs Fire Signs](http://www.alledinburghtheatre.com/wp-content/uploads/2022/08/A-scene-from-Fire-Scines.-Pic-Isabella-Fisher-Turner.jpeg)
Fire Signs
★★★☆☆ Relatable
Fire Signs from the Edinburgh University Theatre Company at Pleasance Courtyard until August 15, is a celebration of the intensity of friendships at university.
![The Roses of Eyam The Roses of Eyam](http://www.alledinburghtheatre.com/wp-content/uploads/2022/02/Stanley-Dominic-Myers.jpeg)
The Roses of Eyam
★★★★☆ Unexpected insights
Disconcertingly relevant, the EUTC’s production of Don Taylor’s The Roses Of Eyam at the Augustine United Church until Sunday provides unexpected insights into our own plague years.
![Mary Queen of Scots got her Head Chopped Off Mary Queen of Scots got her Head Chopped Off](http://www.alledinburghtheatre.com/wp-content/uploads/2019/11/Kirsten-Millar-190x127.jpg)
Mary Queen of Scots got her Head Chopped Off
★★★★☆ Clear bright corbie:
The EUTC bring a strong understanding and sense of purpose to this production of Liz Lochhead’s great 1987 play Mary Queen of Scots Got Her Head Chopped Off, at the Bedlam to Saturday.
![She Can’t Half Talk She Can’t Half Talk](http://www.alledinburghtheatre.com/wp-content/uploads/2019/08/shecant-kelechianna-edits-jpegs-8-190x127.jpg)
She Can’t Half Talk
★★☆☆☆ Unconvincing lives:
She Can’t Half Talk, EUTC’s Fringe production at the Bedlam, is a varied set of stories that contains much of promise but fails to convince as a coherent whole.
![White White](http://www.alledinburghtheatre.com/wp-content/uploads/2019/03/Anna-Phillips-and-Levi-Mattey.-Pic-Camilla-Makhmudi--190x127.jpg)
White
★★★★☆ Layered:
Comic, brutal and certainly confrontational, the UK premiere of James Ijames’ White at St Cecelia’s Hall delivers a well-judged prod at the often unguarded underbelly of white liberal self-satisfaction.
![Disruptive elements Disruptive elements](http://www.alledinburghtheatre.com/wp-content/uploads/2019/03/53807462_10161549209780346_6138267564662325248_n-190x127.jpg)
Disruptive elements
Nathaniel Brimmer-Beller on finding and staging Ijames’ White:
This weekend the EUTC is leaving its Bedlam home for a short break at St Cecelia’s Hall where it is presenting the UK premiere of James IJames’ “truly disruptive” play, White.
![Pippin Pippin](http://www.alledinburghtheatre.com/wp-content/uploads/2019/02/Rob-Merriam.-190x127.jpg)
Pippin
★★★☆☆ Overambitious:
There is a great deal of vocal talent on show in the EUTC’s production of Pippin at the Bedlam. However, some ill-judged staging choices conspire against the production, resulting in a definite curate’s egg.
![Open Call for White Open Call for White](http://www.alledinburghtheatre.com/wp-content/uploads/2019/01/White-190x127.jpg)
Open Call for White
EUTC to stage UK premiere of James Ijames’ comedy:
The Edinburgh University Theatre Company has put out an open call for its UK premiere of James Ijames’ White, a comedy about race, gender and the place of art in an absurdly divided society.