Author: Hugh Simpson
Dear Evan Hansen
★★★★☆ Accomplished
Dear Evan Hansen, presented by Room 29 Theatre at the Church Hill, is staged with commitment and considerable skill.
Autobahn
★★★☆☆ Atmospheric
Autobahn by Neil LaBute, presented by Edinburgh Acting School in their downstairs studios at Summerhall, is an interesting series of playlets that never quite gets up to full speed.
In Time (EICF)
★★★★★ Gorgeous
In Time at the Edinburgh International Children’s Festival is an absolute gem of a show. This beautiful depiction of nature and humanity is aimed at audiences aged from three to seven.
Cringe (EICF)
★★★★☆ Unapologetic
Cringe, from Ross MacKay and Scottish Theatre Producers at the Storytelling Centre as part of the Edinburgh International Children’s Festival, is a wildly energetic, deceptively smart piece of theatre.
Once
★★★★☆ Marvellously melodic
Once, the musical that opens the Alan Cumming era at Pitlochry Festival Theatre, has all of the trappings of a Big Event. And it certainly does not disappoint.
Calendar Girls
★★★★☆ Poignant comedy
There is real emotional weight, as well as considerable comedy, to Edinburgh People’s Theatre’s production of Calendar Girls at the Church Hill.
Sweat
★★★★★ Unmissable
Sweat by Lynn Nottage at the Lyceum until June 13, is a production of rare power and complexity.
PPP: Funeral For My Boobs
★★★☆☆ Lively
Funeral For My Boobs by Hannah Howie, the latest Play, Pie and a Pint from Òran Mór at Assembly Roxy, is a touching autobiographical tale presented as an all-singing, all-dancing spectacular.
Stand & Deliver: The Lee Jeans Sit-In
★★★★☆ Delivers
The National Theatre of Scotland and the Tron Theatre’s touring production Stand & Deliver: The Lee Jeans Sit-in at the Traverse is both entertaining and affecting. The politically charged gig-musical is a thoroughly enjoyable, utterly necessary reminder of recent history.















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