Bedlam
Who We Are Now
Work in Progress: 70s/80s vibe
Edinburgh University Theatre Company’s Who We Are Now, written and directed by Thaddeus Buttrey and produced by Ching Zhan, is a rock opera presented as a work in progress, that is already giving off a very enjoyable 70s/80s vibe.
Things I Know to be True
★★★★☆ Captivating
Things I Know to be True by the Australian writer, Andrew Bovell, staged by Edinburgh University Theatre Company at the Bedlam to Saturday, is a less well-known piece, although Higher Drama students may know it intimately.
Monty Panto and the 12(ish) Labours
★★★☆☆ Light-hearted fun
In Monty Panto and the 12(ish) Labours at the Bedlam, mixed messages purposefully run riot. While it is neither quite a panto nor yet a full tribute to Monty Python, it provides solid entertainment from beginning to end.
H.M.S. Pinafore
★★★★☆ Works beautifully
Edinburgh University’s Savoy Opera Group’s latest production brings a new approach to HMS Pinafore, one of Gilbert and Sullivan’s most popular comic operas.
Shakers
★★★☆☆ Funny
The EUTC make a decent fist of Shakers, at the Bedlam all week, playing to the broad comedy of the John Godber and Jane Thornton’s script but finding their best in its moments of pathos.
Translations
★★★★☆ Clear
Edinburgh University Theatre Company bring a welcome clarity to Translations, at the Bedlam to Saturday, in a production which gets inside the many shades of meaning to Brian Friel’s script.
Spiderman: Into the Pantoverse
★★★☆☆ Cheerful
Complicated plot twists and uncomplicated fun collide in Spiderman: Into the Pantoverse, EUTC’s unruly but heartfelt pantomime which plays at the Bedlam to Saturday.
A Dolls House
★★★☆☆ Effervescent
The EUTC have taken Ibsen’s great classic, A Dolls House, and given it an immersive telling at the Bedlam all week, in a production which updates the setting to contemporary times.
Mary Queen of Scots got her Head Chopped Off
★★★★☆ Clear bright corbie:
The EUTC bring a strong understanding and sense of purpose to this production of Liz Lochhead’s great 1987 play Mary Queen of Scots Got Her Head Chopped Off, at the Bedlam to Saturday.
Pippin
★★★☆☆ Overambitious:
There is a great deal of vocal talent on show in the EUTC’s production of Pippin at the Bedlam. However, some ill-judged staging choices conspire against the production, resulting in a definite curate’s egg.
