Summerhall

Last Night I Dreamt that Somebody Loved Me
★★★★☆ Accomplished
Last Night I Dreamt Somebody Loved Me is a wistful piece about growing up that has considerable punch and an impressive musical content.

Through the Mud
★★★★☆ Emotionally resonant
A musical story of Black liberation, explored through the journeys of two generations of female activists in the United States, Apphia Campbell’s Through the Mud at Summerhall for the whole fringe, co-produced by Stellar Quines and Royal Lyceum Theatre, boldly and beautifully examines revolution.

Lynn Faces
★★★☆☆ Original
Lynn Faces at Summerhall is the antidote to gig theatre. Laura Horton’s new play, co-commissioned by New Diorama Theatre, Norwich Theatre and Theatre Royal Plymouth, is a portrait of toxic relationships and real friendship with (intentionally) appalling music.

Will Pickvance: Wonky
★★★★☆ Inviting
Will Pickvance: Wonky, at Summerhall Old Lab throughout the Fringe, is a charming, inventive and diverting show, guaranteed to cheer up even the most jaded Fringe-goer.

VL
★★★★☆ Huge energy
VL, from Francesca Moody Productions, at Roundabout @ Summerhall throughout the Fringe, will delight anyone who has ever been a worried teenager. Or anyone who appreciates comedy.

The Bookies
★★★☆☆ Spread bet
The Bookies spins the story of a betting shop on Leith Walk, its employees and a slot machine-addicted customer in this black comedy playing at Summerhall for the duration of the fringe.

June Carter Cash: The Woman, Her Music and Me
★★★★☆ Exuberant
Intense emotion is combined with real intelligence in The National Theatre of Scotland and Grid Iron’s June Carter Cash: The Woman, Her Music and Me by Charlene Boyd, at Summerhall Dissection Room.

Biolanthe
★★★☆☆ Inventive
The Edinburgh University Savoy Opera Group has created an inventive updating of Gilbert and Sullivan in Biolanthe, running in the intimate Tech Cube 0 at Summerhall for three performances only.

FLIP!
★★★★★ Flipping Fantastic
Racheal Ofori’s FLIP! – at Summerhall to Saturday – combines comedy with social commentary in a play which successfully brings the breathless charge of social media to the stage.