Alan Patterson
How I Learned to Drive
★★★★☆ Difficult
How I Learned to Drive, from Arkle at the Royal Scots Club for the Fringe’s second week, is a challenging piece staged with due care and skill.
Blue Remembered Hills
★★★☆☆ Challenging
Leitheatre’s Blue Remembered Hills at the Church Hill is nasty and short. Which is exactly what is intended.
crackers
★★★☆☆ Strong performances
Edinburgh based writer cmf wood’s crackers, at the Royal Scots Club, performed by EGTG explores the stigma attached to mental ill-health, particularly amongst teenagers.
Copenhagen
★★★★☆ Stimulating and engaging
In Michael Frayn’s Copenhagen at the Assembly Roxy, Edinburgh Graduate Theatre Group tackle a difficult, sometimes impenetrable, play with intelligence and skill.
frisson (online)
★★★☆☆ Cunning exploration
frisson (online) by Production Lines is “a coming out story in two parts”, with the first told online over Zoom this week, and the second due to be performed live in the Leith Arches next week.
prism
★★★☆☆ Intriguing
prism, Production Lines’ latest venture into live, interactive online theatre, is very much a curate’s egg. Much of it is interesting and well played, but other parts are less well realised.
Through a prism remotely
Online, immersive show from Production Lines
Edinburgh grass roots theatre company Production Lines is to stage prism, a new interactive and immersive play by Claire Wood, running online from Wednesday 2 to Saturday 5 February 2022.
Bytesize Theatre
★★★☆☆ Welcome
The lack of time to plan for live theatre at this year’s Fringe has not deterred the Edinburgh Graduate Theatre Group. Bytesize Theatre is a collection of three new plays presented on the online Fringe Player. The three pieces are not all equally impressive, but each has intriguing elements.
roulette
★★★☆☆ Frothy
roulette, Production Lines’ latest foray into online theatre, makes excellent use of technology. If it is unaware of exactly where it is heading, there is considerable enjoyment to be had along the way.