Alastair Whatley
The Croft
★★★☆☆ Confusing
The Croft, from Original Theatre at the Festival Theatre, is a peculiar production – acted with the maximum of dedication and impressively staged, but rather lacking in impact.
The Night Watch
★★★☆☆ Uneasy retelling:
The touring adaptation at the King’s of The Night Watch, the best-selling novel by Sarah Waters, has a great deal of emotional clarity, but little in the way of dramatic power.
Birdsong
★★★☆☆ Timely:
There is more than one large-scale depiction of World War One on stage in Edinburgh at the moment. While the juggernaut that is War Horse may cause Birdsong to be overshadowed, the returning touring production of Sebastian Faulks’s story at the King’s has much to recommend it.
Birdsong
✭✭✭✩✩ Unsettling:
Emotionally uneven, Birdsong at the King’s has much to recommend it but struggles to convince fully.
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