Allan Wilson
Who We Are Now
Work in Progress: 70s/80s vibe
Edinburgh University Theatre Company’s Who We Are Now, written and directed by Thaddeus Buttrey and produced by Ching Zhan, is a rock opera presented as a work in progress, that is already giving off a very enjoyable 70s/80s vibe.
Things I Know to be True
★★★★☆ Captivating
Things I Know to be True by the Australian writer, Andrew Bovell, staged by Edinburgh University Theatre Company at the Bedlam to Saturday, is a less well-known piece, although Higher Drama students may know it intimately.
Plinth
★★★☆☆ Horrors of war
Writer and performer, Al Seed’s latest creation, Plinth, produced by his own company and Vanishing Point and touring to Manipulate, opens with Seed standing on a plinth giving a live rendition of a series of poses found in military statues.
The House
★★★★☆ Darkly comical
Danish director and puppeteer Sofie Krog introduces The House by reminding the audience that “walls have ears” and that the darkly comical tale will be told by the walls of the Warehouse Family Funeral Home.
A Christmas Carol
★★★★☆ Splendidly seasonal
Guy Masterson’s A Christmas Carol is a splendidly seasonal production of Charles Dickens’ classic tale of greed and redemption in a world of extremes of wealth and poverty, playing at the Roxy until Friday.
Elegies
★★★★☆ Evocative and relevant
The Traditional Dance Forum of Scotland’s dance adaptation of Hamish Henderson’s Elegies for the Dead in Cyrenaica is an evocative piece of theatre that is particularly relevant to our troubled world, despite being published in 1948.
Pickled Republic
★★★★★ Unique
In Pickled Republic, Ruxy Cantir has drawn on her Moldovan upbringing, where almost every vegetable can be pickled, and combined it with her exposure to American education and culture to create a totally unique, absurdist play that can be enjoyed on many different levels.