Amber Lipman
Nottingham
★★★☆☆ Expansive
Nottingham, the Robin Hood musical at the Bruntsfield Pianodrome that is the EdinBards’ full-scale debut, is a likeable show that undoubtedly ends up trying to do too much.
Amadeus
★★★★☆ Impressive
Amadeus from Strawmoddie is a powerful production, showing off the Pianodrome in its new Bruntsfield home to great advantage.
The Fifth Elephant
★★★☆☆ Slipped discworld
Strawmoddie Theatre return to the Pleasance with Stephen Briggs adaptation of The Fifth Elephant, ten years since the death of author Terry Pratchett and ten years since they were established.
Amadeus
★★★★☆ Intimate
Edinburgh-based Strawmoddie theatre company bring Peter Shaffer’s Amadeus to the Pianodrome in a powerful examination of the jealousy of mediocrity in the face of genius.
Macbeth & Dunsinane
Macbeth: ★★★☆☆ Speedy
Dunsinane: ★★★★☆ Bloody
A Necessary Cat have done it again – bringing a powerful double helping of a Shakespeare starter and Shakespeare-adjacent main course to the Fringe in which the whole is better the sum of its parts.
Terry Pratchett’s Hogfather
★★★☆☆ Well-turned
Amidst the noise, rituals and trappings of pantomime and Christmas, Strawmoddie’s take on Terry Pratchett’s Hogfather provides a welcome parody of our seasonal excess, at the Pleasance Theatre to Sunday.
Hamlet / Rosencrantz and Guildenstern Are Dead by Tom Stoppard
★★★☆☆ Pacy and ★★★★☆ Slick
New Edinburgh amateur company Necessary Cat make their debut performances for the last week only of the fringe with the elegantly twinned pairing of Shakespeare’s Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead.
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