Andy Clark
So Young
★★★★☆ Pointed
So Young by Douglas Maxwell, the Traverse co-production with Raw Material and the Citizens, is a sharply observed, profound and beautifully acted piece of theatre.
Tartuffe
★★★★☆ Great comic timing
Young Critics Scheme review
Tartuffe at the Assembly Rooms is Liz Lochead’s new, shortened version of her adaptation of Moliere’s 17th century play into Scots.
Lost At Sea
★★★★☆ Poignant:
Perth Theatre’s production of Lost At Sea, at the King’s until Wednesday, is emotional, humane and beautifully staged.
Stand By
★★★★★ Gripping:
Adam McNamara’s outstanding Stand By profoundly examines the relationship between four officers amidst the unpredictable rhythms of life on the job.
The Winter’s Tale
★★★☆☆ Layered:
Lucid and engaging, the Lyceum’s Scottish-set production of The Winter’s Tale has much to recommend it, even if it does not quite convince.
PPP Walking on Walls
★★★★☆ Slight but sure:
Light as breath, Morna Pearson’s involving two hander in the A Play, A Pie and A Pint lunchtime theatre slot seems to slip by even faster than its brief 45 minute running time.
Three Sisters
✭✭✭✭✩ Emotional realism:
John Byrne’s adaptation of Three Sisters at the King’s is poignant, funny, tragic and hugely satisfying.
Review — I’m With The Band
The national stereotyping is not the subtlest in Tim Price’s allegorical examination of the question of Scottish independence.
Theatre Review – The Cherry Orchard
Uprooted from its original time and place, John Byrne’s new version of Chekhov’s Cherry Orchard transplants the action to Scotland in 1979, on the eve of Thatcher’s first term in office.