Anna Russell-Martin

The Mother Load

The Mother Load

★★★★☆ Nuanced

The Mother Load by Lynda Radley, the latest in the Lyceum and Pitlochry Festival Theatre’s Sound Stage series of audio presentations, is a warmly human and cleverly constructed piece.

June 23, 2021 | By | Reply More
Edinburgh’s CATS credits

Edinburgh’s CATS credits

Half noms; majority of wins have Edinburgh credits

This year’s delayed Critics Awards for Theatre in Scotland have been announced, with Edinburgh associations for 20 of the 41 nominations and winners in seven of the ten categories.

November 12, 2020 | By | Reply More
Traverse Festival (2)

Traverse Festival (2)

Shielding , Doomsdays, Matterhorn & The Watercooler:

The Traverse’s online Festival continues with three more audio-only Breakfast Plays, as well as some treats that are more visual.

August 30, 2020 | By | Reply More
Traverse Breakfast Plays: New Tracks (1)

Traverse Breakfast Plays: New Tracks (1)

Traverse 3:

The Traverse are replicating their Fringe Breakfast Plays with streams from their new online-only Traverse 3, and the first two offerings – Contemporary Political Ethics (Or, How to Cheat) by Jamie Cowan and Rabbit Catcher by Rebecca Martin – both have much to recommend them.

August 26, 2020 | By | 1 Reply More
My Light Shines On: Ghost Light

My Light Shines On: Ghost Light

★★★★☆ Magical:

Ghost Light provides a poignant reminder of what we are all missing in this fallow year of live performance in Edinburgh during August.

August 9, 2020 | By | Reply More
PPP: Toy Plastic Chicken

PPP: Toy Plastic Chicken

★★☆☆☆    Curate’s egg:

First seen as a somewhat explosive work-in-progress at last year’s Hidden Door, Toy Plastic Chicken is the final production in this Spring’s A Play, A Pie and a Pint lunchtime theatre slot at the Traverse.

May 15, 2019 | By | 1 Reply More