Bedlam Theatre
A Taste of Honey
★★★☆☆ Troubling
A pair of perfectly pitched performances ensure that the EUTC’s production of A Taste of Honey at the Bedlam, to Friday, provides a more than creditable account of Shelagh Delaney’s script.
Who We Are Now
Work in Progress: 70s/80s vibe
Edinburgh University Theatre Company’s Who We Are Now, written and directed by Thaddeus Buttrey and produced by Ching Zhan, is a rock opera presented as a work in progress, that is already giving off a very enjoyable 70s/80s vibe.
Things I Know to be True
★★★★☆ Captivating
Things I Know to be True by the Australian writer, Andrew Bovell, staged by Edinburgh University Theatre Company at the Bedlam to Saturday, is a less well-known piece, although Higher Drama students may know it intimately.
Monty Panto and the 12(ish) Labours
★★★☆☆ Light-hearted fun
In Monty Panto and the 12(ish) Labours at the Bedlam, mixed messages purposefully run riot. While it is neither quite a panto nor yet a full tribute to Monty Python, it provides solid entertainment from beginning to end.
The Booth
★★★☆☆ Comic confusion
Edinburgh University Theatre Group’s The Booth takes a satirical, but affectionate, look back to the 1950s, when Foley artists ruled the airwaves, using household objects to create so many of the sound effects that brought radio drama to life.
Salomé
★★★★☆ Uneven but compelling
Edinburgh University Theatre Company’s presentation of Oscar Wilde’s Salomé is wilfully uneven, not always carefully judged, yet ultimately extremely impressive.
Spiderman: Into the Pantoverse
★★★☆☆ Cheerful
Complicated plot twists and uncomplicated fun collide in Spiderman: Into the Pantoverse, EUTC’s unruly but heartfelt pantomime which plays at the Bedlam to Saturday.
A Dolls House
★★★☆☆ Effervescent
The EUTC have taken Ibsen’s great classic, A Dolls House, and given it an immersive telling at the Bedlam all week, in a production which updates the setting to contemporary times.