Bedlam Theatre
A Girl Gets Naked In This
★★★★☆ Intimate and raw
A Girl Gets Naked In This from St Andrews-based People You Know, is a series of raw monologues about sex from nine young women’s perspectives. While all of the monologues are broadly about sex, they manage to cover a lot of ground – the good, the bad, and the mohawked.
Oedipus Doesn’t Live Here Anymore
★★★☆☆ Uncompromising
Edinburgh University Theatre Company’s Oedipus Doesn’t Live Here Anymore is a challengingly complex update to the Greek myth of Oedipus, who unknowingly killed his father and married his mother.
Sycamore Grove
★★★★☆ Sinister and captivating
The unsettling nature of Sycamore Grove, which had its premiere at the 2023 Edinburgh Horror Festival and now returns to the Bedlam for Week One of the Fringe in a production from Slainte! Theatre, starts from the moment you enter venue.
A Taste of Honey
★★★☆☆ Troubling
A pair of perfectly pitched performances ensure that the EUTC’s production of A Taste of Honey at the Bedlam, to Friday, provides a more than creditable account of Shelagh Delaney’s script.
Who We Are Now
Work in Progress: 70s/80s vibe
Edinburgh University Theatre Company’s Who We Are Now, written and directed by Thaddeus Buttrey and produced by Ching Zhan, is a rock opera presented as a work in progress, that is already giving off a very enjoyable 70s/80s vibe.
Things I Know to be True
★★★★☆ Captivating
Things I Know to be True by the Australian writer, Andrew Bovell, staged by Edinburgh University Theatre Company at the Bedlam to Saturday, is a less well-known piece, although Higher Drama students may know it intimately.
Monty Panto and the 12(ish) Labours
★★★☆☆ Light-hearted fun
In Monty Panto and the 12(ish) Labours at the Bedlam, mixed messages purposefully run riot. While it is neither quite a panto nor yet a full tribute to Monty Python, it provides solid entertainment from beginning to end.
The Booth
★★★☆☆ Comic confusion
Edinburgh University Theatre Group’s The Booth takes a satirical, but affectionate, look back to the 1950s, when Foley artists ruled the airwaves, using household objects to create so many of the sound effects that brought radio drama to life.
Salomé
★★★★☆ Uneven but compelling
Edinburgh University Theatre Company’s presentation of Oscar Wilde’s Salomé is wilfully uneven, not always carefully judged, yet ultimately extremely impressive.
H.M.S. Pinafore
★★★★☆ Works beautifully
Edinburgh University’s Savoy Opera Group’s latest production brings a new approach to HMS Pinafore, one of Gilbert and Sullivan’s most popular comic operas.
