Beverley Wright
Dangerous Corner
★★★★☆ Absorbing
The Edinburgh Graduate Theatre Group’s production of J.B. Priestley’s Dangerous Corner, upstairs at the Assembly Roxy until Saturday, is a tense affair, well staged and compelling.
Hay Fever
★★★☆☆ Lightly hilarious
Every family has their foibles, but the Bliss family are next-level eccentric in Noel Coward’s delicious comedy Hay Fever – brought to the Assembly Roxy by EGTG for four performances only.
shrapnel
★★★☆☆ Timely
There is a timeliness and emotional truth to Shrapnel, Production Lines’s online play by CMFWood, that is enhanced by being presented live.
All About My Mother
★★★☆☆ Ambitious:
Clever in its staging and ambitious in scope, the EGTG’s Scottish premiere of All About My Mother, at the Roxy to Saturday, provides plenty to satisfy but a certain amount of confusion along the way.
Casanova Dreaming
★★☆☆☆ Overly complex:
Arbery Production’s Casanova Dreaming at TheSpace on Niddry Street is a breathless dash through the 18th century that tries to cram enough material for several hours into 50 minutes.
Volpone
★★★★☆ Ruthless:
The Edinburgh Graduate Theatre Group bring Ben Johnson’s comedy, Volpone, to life and new audiences in a hilarious version of the tale about just how far people will go to be rich.
The Importance of Being Earnest
★★★☆☆ Judicious:
There is a studied air to Edinburgh People’s Theatre’s production of The Importance of Being Earnest that pays dividends, but also brings disadvantages.
Wildest Dreams
★★★★☆ Fascinating:
Intriguing, amusing and a little troubling, the Grads’ production of Alan Ayckbourn’s Wildest Dreams upstairs at the Assembly Roxy is extremely accomplished.
Much Ado About Nothing
✭✭✭✩✩ Mixed success:
Arkle’s Much Ado About Nothing at the Royal Scots Club overcomes a less than well thought-out central concept to deliver a solid, enjoyable production.
