Chris Pearson
The Fifth Elephant
★★★☆☆ Slipped discworld
Strawmoddie Theatre return to the Pleasance with Stephen Briggs adaptation of The Fifth Elephant, ten years since the death of author Terry Pratchett and ten years since they were established.
Necessary Cat’s Double Bill
A Midsummer Night’s Dream: ★★★☆☆ Funny
Julius Caesar: ★★★★☆ Relevant
This year’s double bill from Necessary Cat, playing Hill Street for the last fortnight of the Fringe, brings together comedy and tragedy in the form of A Midsummer Night’s Dream and Julius Caesar.
Going Postal
★★★★☆ First Class
Strawmoddie’s Going Postal, their fourth production of a Terry Pratchett novel adapted for the stage by Stephen Briggs, is delivered with all due care and attention to detail at the Pleasance Theatre to Sunday.
Conspiracy
★★★★★ Bureaucratic nightmare
Conspiracy, a co-production between Edinburgh-based grassroots companies Strawmoddie and RFT, is a chilling and almost obscenely mundane account of the Wannsee Conference, held in a Berlin suburb in January 1942.
Terry Pratchett’s Hogfather
★★★☆☆ Well-turned
Amidst the noise, rituals and trappings of pantomime and Christmas, Strawmoddie’s take on Terry Pratchett’s Hogfather provides a welcome parody of our seasonal excess, at the Pleasance Theatre to Sunday.
And Then There Were None
★★☆☆☆ Patchy
Agatha Christie’s evergreen And Then There Were None is presented by Strawmoddie at the Central Hall, Tollcross, with delicacy and no little effort. Unfortunately, choices with staging – and problems seemingly inherent in the venue – make for an awkward experience.
Ondine
★★★★☆ Well judged emotion
In a glorious mix of the heartfelt and the ridiculous, Underground Theatre bring a translation of Jean Giraudoux’s Ondine to La Belle Angele for the final week of the Fringe.
The Importance of Being Earnest
★★★☆☆ Perspicacious
The Edinburgh Makars return to the Church Hill theatre with a bounce in their step for three performances of a nicely juicy production of The Importance of Being Earnest.
Twelfth Night
★★★☆☆ Rumbustious jollity:
Charging at Shakespeare at full speed and with all comic guns blazing, Some Kind of Theatre’s production of Twelfth Night at Paradise in the Vault will win no prizes for subtlety but should please a wide audience.
Ganymede
★★★☆☆ Timely reworking:
Ganymede, TypeCast Productions’ reworking of Shakespeare at Paradise in Augustines, is an intriguing production that uses the spirit of the Bard to cast light on contemporary concerns.
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