Edinburgh International Festival
Jimmy the ticket hero
Jimmy Beacham and Leon Gray recognised at Ticketing Business Awards
Jimmy Beacham, Head of Ticketing and Revenue at Capital Theatres, has won an Unsung Hero Award at the Ticketing Business Awards, held in Manchester on Tuesday, 28 April.
As You Like It A Radical Retelling (EIF)
★★★★☆ Remarkable
As You Like It A Radical Retelling at the Church Hill in the International Festival is a wonderfully theatrical and challenging piece, dealing with hugely important issues in a way that demands attention.
Cutting the Tightrope
*** Politically charged
Dealing with censorship and artistic freedom, Cutting The Tightrope at the Church Hill for four performances as part of the International Festival, is an honest and fearless production whose approach is not wholly successful.
Works and Days
★★★★☆ Evocative
Works and Days, part of the International Festival at the Lyceum for four performances only, is an arresting depiction of human history.
Mary QoS Ballet for EIF
Scottish Ballet to premiere Mary, Queen of Scots ballet at EIF 2025
Scottish Ballet is adding a new full-length narrative ballet about Mary, Queen of Scots to its repertoire, with a premiere at next summer’s Edinburgh International Festival, followed by a Scottish tour.
The Fifth Step (EIF)
★★★☆☆ Diffuse
The National Theatre of Scotland’s The Fifth Step at the Lyceum as part of the International Festival is a keenly observed and notably well acted piece that nevertheless lacks sustained impact.
The Outrun (EIF)
★★★★☆ Grandeur
The Outrun, from the International Festival and the Lyceum at the Church Hill Theatre for the whole three weeks, is a hugely ambitious, beautifully staged and extremely impressive production.
Dimanche (EIF)
★★★★☆ Hugely inventive
Dimanche at the Church Hill is a magically inventive display. The International Festival production is a collaboration between two Belgian companies – Focus, who use puppets and miniature objects and Chaliwaté, a physical theatre troupe. Both of these approaches are in evidence in a constantly engaging spectacle.



















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