Elspeth Whyte
SLO Sings For the King’s
★★★★☆ Pure Theatre
Southern Light Opera burst back onto the stage after the Covid hiatus in full celebratory mode with a portmanteau show of songs from its back catalogue which refuses to be obvious, while rounding off the night with a fanfare of show stoppers.
The Hollow
★★★☆☆ Stately:
Huge care and attention has gone into the staging of Threepenny Theatricals’ version of Agatha Christie’s The Hollow. That care, however, does mean that there is a definite absence of energy in a production that never outstays its welcome but frequently threatens to.
Dear Brutus
★★★★☆ Old world charm:
Threepenny Theatricals’ Dear Brutus at the Church Hill is a resolutely odd piece, hugely uneven in tone, but discharged with such grace and skill that is compulsively watchable.
Hello, Dolly!
★★★★☆ Frothy:
Southern Light Opera’s production of Hello, Dolly! at the King’s combines showbiz pizzazz with real emotion to great effect.
Dolly comes back!
SLO bring Dolly back to King’s:
Southern Light Opera are bringing a classic home this week, when they open their production of the great musical Hello, Dolly! at the King’s on Wednesday 7 March 2018.
Elephants
★★★★☆ Accomplished debut:
Some excellent acting distinguishes ‘festive black comedy’ Elephants from new company Threepenny Theatricals upstairs at the Roxy.
Elephants in the Roxy
3T’s debut, Elephants, is Main event:
New Edinburgh amateur company Threepenny Theatricals is staging Rose Heiney’s black comedy Elephants as its debut production at the Assembly Roxy next week, 25 – 27 January 2018.
The Wizard of Oz
★★★★☆ Fantastical extravaganza:
The Southern Light Opera Company charm and fascinate as they take the trip over the rainbow every day until Saturday at the Kings Theatre.
