Gareth Nicholls
Black Hole Sign
★★★★☆ Sadly angry
Black Hole Sign by Uma Nada-Rajah, the Tron/Traverse co-production (in association with the NTS) gives every appearance of being a big deal, including appearing in Traverse One for more than a week. And – despite some real problems – it lives up to its billing.
So Young
★★★★☆ Pointed
So Young by Douglas Maxwell, the Traverse co-production with Raw Material and the Citizens, is a sharply observed, profound and beautifully acted piece of theatre.
PPP: JACK
★★★☆☆ Promising
Jack by Liam Moffat, the first offering from A Play, A Pie and a Pint in 2024 at the Traverse, is a charmingly exuberant production.
Kidnapped
★★★★★ Rattling adventure
Isobel McArthur has excelled herself in her latest adaptation of a classic story to the stage, this time giving Robert Louis Stevenson’s Kidnapped a music-filled, comic and heartfelt makeover.
Wilf
★★★★☆ Rip-roaring
Eighties power ballads fill Traverse One for the return of James Ley’s Wilf, an energising and sparkling show which will have you snorting with laughter from the very start.
WILF
★★★☆☆ Encouragingly filthy
There is a pleasingly unruly feel to James Ley’s new play WILF, this year’s seasonably unseasonal offering from the Traverse. Full of heart, not to mention dialogue that would have given the Lord Chamberlain palpitations, it overcomes structural difficulties to produce a successful whole.
Ley’s Wilf for Trav Xmas
New play by James Ley makes Traverse Xmas debut
Wilf, a new script from Edinburgh playwright James Ley will be the Christmas offering in Traverse One this year, running for 19 performances in December 2021.
Still
★★★☆☆ Tender
Still at the Traverse is in many ways a tough watch, with themes of death and loss offset by excellent performances and perceptive writing.















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