Gillian Robertson
The Lady Vanishes
★★★☆☆ Magnificent hokum
The Lady Vanishes provides for an entertaining evening up at the Church Hill Theatre, where the Threepenny Theatricals draw on 1930s English sensibilities for this train-set period thriller.
The Yeomen of the Guard
★★★★☆ A classic with clarity
The good men and women of Edinburgh Gilbert and Sullivan Society do more than yeoman service as they present arguably the greatest Savoy opera at the Festival Theatre.
Enchanted April
★★★★☆ Accomplished
There is a wistful nostalgia almost built in to Threepenny Theatricals’ Enchanted April, which is at the Church Hill Theatre until Saturday.
The Hollow
★★★☆☆ Stately:
Huge care and attention has gone into the staging of Threepenny Theatricals’ version of Agatha Christie’s The Hollow. That care, however, does mean that there is a definite absence of energy in a production that never outstays its welcome but frequently threatens to.
HMS Pinafore
★★★★☆ Hits the heights:
There is a strong musicality and big professional polish to EdGAS’s production of H.M.S. Pinafore which is at the King’s Theatre until Saturday.
The Sorcerer
★★★★☆ What larks:
For careful execution and straightforward fun, it is difficult to imagine many recent productions of Gilbert and Sullivan have beaten Cat-Like Tread’s The Sorcerer at Paradise in Augustines.
Ruddygore
★★★☆☆ Precise:
Musically rigorous and staged with clarity, there is a definition to EDGAS’s Ruddygore than compensates for a certain lack of sparkle.
The Tales of Hoffmann
★★★☆☆ Enjoyable fantasy:
Lively and hugely likeable, Opera Camerata’s production of The Tales of Hoffmann is a largely pacy and accomplished affair.
The Pirates of Penzance
✭✭✭✭✩ Plenty of pizzazz:
Fun, games and top-notch singing abound in The Pirates of Penzance at the King’s. The Edinburgh Gilbert and Sullivan Society’s production is reassuringly traditional, very strong musically, and extremely funny.
Princess Ida – Review
★★★★☆ Grace and frivolity:
Uplifting grace and outmoded comedy combine in equal measures for the Edinburgh Gilbert and Sullivan Society’s new production of Princess Ida which plays at the King’s all week.
