Gillian Robertson
The Mirror Crack’d
★★★☆☆ Poised
Agatha Christie’s The Mirror Crack’d provides good old-fashioned whodunnit thrills for Threepenny Theatricals at the Church Hill until Saturday.
George, Don’t Do That…The Joy of Joyce Grenfell
★★★☆☆ Rewarding
George, Don’t Do That…The Joy of Joyce Grenfell evokes a vanished social milieu with tunefulness and humour. The show, from Arkle at the Royal Scots Club each afternoon of the Fringe’s final week, is a compilation of the work of Joyce Grenfell (1910 – 1979) – the writer, actor and singer.
Rodgers & Hammerstein’s Cinderella
★★★☆☆ A lovely night
Threepenny Theatricals’ first venture into musical theatre sees a beloved fairytale brought to life with Rodgers & Hammerstein’s Cinderella playing at the Church Hill Theatre through to 16 November.
The Gondoliers
★★★★☆ Sparkling
The Edinburgh Gilbert and Sullivan Society’s production of The Gondoliers has a vitality and melodicism that always catches the eye and ear.
The Lady Vanishes
★★★☆☆ Magnificent hokum
The Lady Vanishes provides for an entertaining evening up at the Church Hill Theatre, where the Threepenny Theatricals draw on 1930s English sensibilities for this train-set period thriller.
The Yeomen of the Guard
★★★★☆ A classic with clarity
The good men and women of Edinburgh Gilbert and Sullivan Society do more than yeoman service as they present arguably the greatest Savoy opera at the Festival Theatre.
Enchanted April
★★★★☆ Accomplished
There is a wistful nostalgia almost built in to Threepenny Theatricals’ Enchanted April, which is at the Church Hill Theatre until Saturday.
The Hollow
★★★☆☆ Stately:
Huge care and attention has gone into the staging of Threepenny Theatricals’ version of Agatha Christie’s The Hollow. That care, however, does mean that there is a definite absence of energy in a production that never outstays its welcome but frequently threatens to.
HMS Pinafore
★★★★☆ Hits the heights:
There is a strong musicality and big professional polish to EdGAS’s production of H.M.S. Pinafore which is at the King’s Theatre until Saturday.
The Sorcerer
★★★★☆ What larks:
For careful execution and straightforward fun, it is difficult to imagine many recent productions of Gilbert and Sullivan have beaten Cat-Like Tread’s The Sorcerer at Paradise in Augustines.
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