Gillian Robertson
The Hollow
★★★☆☆ Stately:
Huge care and attention has gone into the staging of Threepenny Theatricals’ version of Agatha Christie’s The Hollow. That care, however, does mean that there is a definite absence of energy in a production that never outstays its welcome but frequently threatens to.
HMS Pinafore
★★★★☆ Hits the heights:
There is a strong musicality and big professional polish to EdGAS’s production of H.M.S. Pinafore which is at the King’s Theatre until Saturday.
The Sorcerer
★★★★☆ What larks:
For careful execution and straightforward fun, it is difficult to imagine many recent productions of Gilbert and Sullivan have beaten Cat-Like Tread’s The Sorcerer at Paradise in Augustines.
Ruddygore
★★★☆☆ Precise:
Musically rigorous and staged with clarity, there is a definition to EDGAS’s Ruddygore than compensates for a certain lack of sparkle.
The Tales of Hoffmann
★★★☆☆ Enjoyable fantasy:
Lively and hugely likeable, Opera Camerata’s production of The Tales of Hoffmann is a largely pacy and accomplished affair.
The Pirates of Penzance
✭✭✭✭✩ Plenty of pizzazz:
Fun, games and top-notch singing abound in The Pirates of Penzance at the King’s. The Edinburgh Gilbert and Sullivan Society’s production is reassuringly traditional, very strong musically, and extremely funny.
Princess Ida – Review
★★★★☆ Grace and frivolity:
Uplifting grace and outmoded comedy combine in equal measures for the Edinburgh Gilbert and Sullivan Society’s new production of Princess Ida which plays at the King’s all week.
Review – The Yeomen of the Guard
★★★☆☆ Needs more polish:
Soaring joy, daft patter and crushing melancholy are underpinned by a score tuned right into the events unfurling on stage in this occasionally brilliant Yeomen of the Guard.
