Harry Ward
Restless Natives: The Musical
★★★☆☆ Mixed bag
Restless Natives: The Musical, arriving at Leith Theatre, is decidedly mixed and often meandering. There is much to enjoy about a production that has considerable joy to it, but there are also long stretches that are far less convincing.
June Carter Cash: The Woman, Her Music and Me
★★★★☆ Exuberant
Intense emotion is combined with real intelligence in The National Theatre of Scotland and Grid Iron’s June Carter Cash: The Woman, Her Music and Me by Charlene Boyd, at Summerhall Dissection Room.
What Girls Are Made Of
★★★★★ Exhilarating
Cora Bissett is nothing short of incredible in her gig-theatre show What Girls Are Made Of. It is full-throttle, high energy and, at points, it really does feel like you are front row at a gig.
Orphans
★★★☆☆ Raucous
Full of comic bravado, the National Theatre of Scotland’s long-delayed musical adaptation of Orphans at the King’s is an attractive but unwieldy beast.
What Girls Are Made Of
★★★★★ Joyous:
Bursting with emotion and tuneful energy, the return to the Traverse of What Girls Are Made Of is a thing of wonder.
The Dark Carnival
★★★☆☆ Striking:
In The Dark Carnival, Vanishing Point has crafted a strangely fascinating but oddly frustrating entertainment – theatre-cum-gig-cum-cabaret that impresses in fits and starts.
Book Festival – the Final Round-up
Charlotte Square gets all theatrical:
The Book Festival once again had much to interest the discerning theatregoer, not only in terms of actual performance but also regarding the thoughts of those responsible for them.
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