Helen E. Nix
A Midsummer Night’s Dream
★★★★☆ Dreamy
Arkle’s presentation of A Midsummer Night’s Dream at the Royal Scots Club for the Fringe’s second week is an extremely impressive, thoroughly enjoyable affair.
The Prime of Miss Jean Brodie
★★★★☆ Powerful
The Prime of Miss Jean Brodie, from Leitheatre at the Church Hill, is a complex piece of pitch-black satire discharged with skill.
The Importance of Being Earnest
★★★☆☆ Spirited
Arkle’s production of The Importance of Being Earnest at the Royal Scots Club has a headlong momentum that impresses, even if it is not always ideally suited to the play.
How the Other Half Loves
★★★★☆ Sharp
Edinburgh People’s Theatre give How The Other Half Loves at the Church Hill a malicious comic edge, in a production whose tempo and performances are praiseworthy.
The Taming of the Shrew
★★★☆☆ Uneven updating:
Arkle’s take on The Taming of the Shrew is a largely successful attempt to make relevant one of Shakespeare’s plays that is most troubling to modern audiences.
The Cemetery Club
★★★★☆ Gravely good:
The Cemetery Club is a low-key, deeply traditional play, but in the hands of Edinburgh People’s Theatre it has a gentle resonance that is rather affecting.
Grave comedy for Church Hill
EPT present Menchell favourite:
Edinburgh People’s Theatre return to the Church Hill Theatre this week with four performances of Ivan Menchell’s late Eighties comedy The Cemetery Club.
The Importance of Being Earnest
★★★☆☆ Judicious:
There is a studied air to Edinburgh People’s Theatre’s production of The Importance of Being Earnest that pays dividends, but also brings disadvantages.
Being Earnest
EPT play Wilde at the Church Hill:
Edinburgh People’s Theatre is bringing one of the best loved and best known plays in English (outside Shakespeare), back to the Church Hill Theatre.
Much Ado About Nothing
✭✭✭✩✩ Mixed success:
Arkle’s Much Ado About Nothing at the Royal Scots Club overcomes a less than well thought-out central concept to deliver a solid, enjoyable production.
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