Jen McGinley
The Unlikely Friendship of Feather Boy & Tentacle Girl
★★★★☆ Mesmerising
The Unlikely Friendship of Feather Boy & Tentacle Girl from Catherine Wheels, is an atmospheric aerial dance piece, co-created by performers Vee Smith and Sadiq Ali, about two opposites who transform and learn to move together in harmony.
The Great Gatsby
★★★★★ Sensational
The Great Gatsby is an extraordinarily difficult story to adapt, but Elizabeth Newman has done it, in a dazzling, hopeful, forlorn and febrile production, helmed by Sarah Brigham and co-produced by Pitlochry Festival Theatre and Derby Theatre.
Moonset
★★★☆☆ Brave
Moonset, Maryam Hamidi’s coming-of-age story from the Citizens Theatre at the Traverse, is full of fire and anger. Its wilful refusal to settle down proves both a strength and a weakness.
The Enemy
★★★☆☆ Fussy
The Enemy, Kieran Hurley’s updating of Ibsen for The National Theatre of Scotland at the King’s this week, is an uneven proposition. Much of the production is timely and compelling, and the acting is excellent, but other elements cohere less convincingly.
I Can Go Anywhere
★★☆☆☆ Uneven two-hander:
A good premise is overshadowed by a lumbering script in Douglas Maxwell’s exploration of identity and belonging, I Can Go Anywhere, at the Traverse Theatre as part of Edinburgh’s Christmas to 21 December.
The Hour We Knew Nothing Of Each Other
★★★★☆ Contains multitudes:
Dizzying in its invention and almost ludicrously ambitious in scope, The Hour we Knew Nothing Of Each Other at the Lyceum is undoubtedly uneven but always intriguing.














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