Kirsten Millar
Mary Queen of Scots got her Head Chopped Off
★★★★☆ Clear bright corbie:
The EUTC bring a strong understanding and sense of purpose to this production of Liz Lochhead’s great 1987 play Mary Queen of Scots Got Her Head Chopped Off, at the Bedlam to Saturday.
The Understudies
★★★☆☆ Amusing. Hopefully!
Before the start of Magic Door Productions’ improvised musical show, The Understudies, each audience member is asked to write down the title of any musical, one of which will become the title of that date’s production.
She Can’t Half Talk
★★☆☆☆ Unconvincing lives:
She Can’t Half Talk, EUTC’s Fringe production at the Bedlam, is a varied set of stories that contains much of promise but fails to convince as a coherent whole.
Pippin
★★★☆☆ Overambitious:
There is a great deal of vocal talent on show in the EUTC’s production of Pippin at the Bedlam. However, some ill-judged staging choices conspire against the production, resulting in a definite curate’s egg.
Springtime for Eusog
Open auditions for The Producers:
The Edinburgh University Savoy Opera Group has put out an open call for its production of The Producers, which will run at the end of November 2018 at the Pleasance Theatre.
The Drowsy Chaperone
★★★★☆ Shout out:
Edinburgh University Savoy Group bring out the comedy in a rousing take on parody musical-within-a-musical The Drowsy Chaperone at Paradise in Augustines.
Romeo and Juliet
★★★☆☆ Full blooded:
There is plenty to like about the Edinburgh University Shakespeare Company’s full-blooded, modern dress production of Romeo and Juliet at the Pleasance Theatre, to Saturday.
Dark Tales
★★☆☆☆ Jumpy
Haunting raw material and a fairly straightforward telling from Theatre Paradok give a good account of this pair of classic Victorian ghost stories, at the Banshee Labyrinth until Thursday.
